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John Dryden

Your hay it is mow'd, and your corn is reap'd

(Comus.) Your hay it is mow'd, and your corn is reap'd;
Your barns will be full, and your hovels heap'd:
Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.
(Chorus.) Come, my boys, come;
Come, my boys, come;
And merrily roar out Harvest Home.

(Man.) We ha' cheated the parson, we'll cheat him agen,
For why should a blockhead ha' one in ten?
One in ten,
One in ten,
For why should a blockhead ha' one in ten?

For prating so long like a book-learn'd sot,
Till pudding and dumplin burn to pot,
Burn to pot,
Burn to pot,
Till pudding and dumplin burn to pot.

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Calm was the even, and clear was the sky

Calm was the even, and clear was the sky,
And the new budding flowers did spring,
When all alone went Amyntas and I
To hear the sweet nightingale sing;
I sate, and he laid him down by me;
But scarcely his breath he could draw;
For when with a fear, he began to draw near,
He was dash'd with A ha ha ha ha!

He blush'd to himself, and lay still for a while,
And his modesty curb'd his desire;
But straight I convinc'd all his fear with a smile,
Which added new flames to his fire.
O Silvia, said he, you are cruel,
To keep your poor lover in awe;
Then once more he press'd with his hand to my breast,
But was dash'd with A ha ha ha ha!

I knew 'twas his passion that caus'd all his fear;
And therefore I pitied his case:

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Prologue For The Women, When They Acted at the Old Theatre, Lincoln's-Inn-Fields

Were none of you, gallants, e'er driven so hard,
As when the poor kind soul was under guard,
And could not do 't at home, in some by-street
To take a lodging, and in private meet?
Such is our case; we can't appoint our house,
The lovers' old and wonted rendezvous,
But hither to this trusty nook remove;
The worse the lodging is, the more the love.
For much good pastime, many a dear sweet hug,
Is stolen in garrets, on the humble rug.
Here's good accommodation in the pit;
The grave demurely in the midst may sit,
And so the hot Burgundian on the side,
Ply vizard mask, and o'er the benches stride:
Here are convenient upper boxes too,
For those that make the most triumphant show;
All, that keep coaches, must not sit below.
There, gallants, you betwixt the acts retire,
And, at dull plays, have something to admire:
We, who look up, can your addresses mark,

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Prologue For The Women, When They Acted at the Old Theatre, Lincoln's-Inn-Fields

Were none of you, gallants, e'er driven so hard,
As when the poor kind soul was under guard,
And could not do 't at home, in some by-street
To take a lodging, and in private meet?
Such is our case; we can't appoint our house,
The lovers' old and wonted rendezvous,
But hither to this trusty nook remove;
The worse the lodging is, the more the love.
For much good pastime, many a dear sweet hug,
Is stolen in garrets, on the humble rug.
Here's good accommodation in the pit;
The grave demurely in the midst may sit,
And so the hot Burgundian on the side,
Ply vizard mask, and o'er the benches stride:
Here are convenient upper boxes too,
For those that make the most triumphant show;
All, that keep coaches, must not sit below.
There, gallants, you betwixt the acts retire,
And, at dull plays, have something to admire:
We, who look up, can your addresses mark,

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Epitaph on Sir Palmes Fairborne's Tomb in Westminster Abbey

Ye sacred relics, which your marble keep,
Here, undisturbed by wars, in quiet sleep;
Discharge the trust, which, when it was below,
Fairborne's undaunted soul did undergo,
And be the town's palladium from the foe.
Alive and dead these walls he will defend:
Great actions great examples must attend.
The Candian siege his early valour knew,
Where Turkish blood did his young hands imbrue.
From thence returning with deserved applause,
Against the Moors his well-fleshed sword he draws;
The same the courage, and the same the cause.
His youth and age, his life and death, combine,
As in some great and regular design,
All of a piece throughout, and all divine.
Still nearer heaven his virtues shone more bright,
Like rising flames expanding in their height;
The martyr's glory crowned the soldier's fight.
More bravely British general never fell,
Nor general's death was e'er revenged so well;

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To The Memory Of Mr Oldham

Farewell, too little and too lately known,
Whom I began to think and call my own;
For sure our souls were near allied, and thine
Cast in the same poetic mould with mine.
One common note on either lyre did strike,
And knaves and fools we both abhorred alike.
To the same goal did both our studies drive;
The last set out the soonest did arrive.
Thus Nisus fell upon the slippery place,
While his young friend performed and won the race.
O early ripe! to thy abundant store
What could advancing age have added more?
It might (what Nature never gives the young)
Have taught the numbers of thy native tongue.
But satire needs not those, and wit will shine
Through the harsh cadence of a rugged line.
A noble error, and but seldom made,
When poets are by too much force betrayed.
Thy generous fruits, though gathered ere their prime,
Still showed a quickness; and maturing time

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Ask not the cause why sullen spring

Ask not the cause why sullen spring
So long delays her flow'rs to bear;
Why warbling birds forget to sing,
And winter storms invert the year?
Chloris is gone; and Fate provides
To make it spring where she resides.

Chloris is gone, the cruel fair;
She cast not back a pitying eye:
But left her lover in despair,
To sigh, to languish, and to die:
Ah, how can those fair eyes endure
To give the wounds they will not cure!

Great god of Love, why hast thou made
A face that can all hearts command,
That all religions can invade,
And change the laws of ev'ry land?
Where thou hadst plac'd such pow'r before,
Thou shouldst have made her mercy more.

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An Ode, On the Death of Mr. Henry Purcell

Late Servant to his Majesty, and Organist of the Chapel Royal, and of St. Peter's Westminster

I

Mark how the Lark and Linnet Sing,
With rival Notes
They strain their warbling Throats,
To welcome in the Spring.
But in the close of Night,
When Philomel begins her Heav'nly lay,
They cease their mutual spite,
Drink in her Music with delight,
And list'ning and silent, and silent and list'ning,
And list'ning and silent obey.

II

So ceas'd the rival Crew when Purcell came,
They Sung no more, or only Sung his Fame.
Struck dumb they all admir'd the God-like Man,

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Prologue To Sophonisba; Spoken at Oxford, 1680

Thespis, the first professor of our art,
At country wakes, sung ballads from a cart.
To prove this true, if Latin be no trespass,
Dicitur et plaustris vexisse poemata Thespis.
But Æschylus, says Horace in some page,
Was the first mountebank that trod the stage:
Yet Athens never knew your learned sport,
Of tossing poets in a tennis-court.
But 'tis the talent of our English nation,
Still to be plotting some new reformation;
And few years hence, if anarchy goes on,
Jack Presbyter shall here erect his throne,
Knock out a tub with preaching once a day,
And every prayer be longer than a play.
Then all your heathen wits shall go to pot,
For disbelieving of a Popish Plot;
Nor should we scape the sentence, to depart,
Even in our first original, a cart;
Your poets shall be used like infidels,
And worst, the author of the Oxford bells;

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Song (Sylvia The Fair, In The Bloom Of Fifteen)

Sylvia the fair, in the bloom of fifteen,
Felt an innocent warmth as she lay on the green:
She had heard of a pleasure, and something she guessed
By the towsing and tumbling and touching her breast:
She saw the men eager, but was at a loss
What they meant by their sighing and kissing so close;
By their praying and whining,
And clasping and twining,
And panting and wishing,
And sighing and kissing,
And sighing and kissing so close.

"Ah!" she cried, "ah, for a languishing maid
In a country of Christians to die without aid!
Not a Whig, or a Tory, or Trimmer at least,
Or a Protestant parson, or Catholic priest,
To instruct a young virgin that is at a loss
What they meant by their sighing and kissing so close;
By their praying and whining,
And clasping and twining,

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