Ode to Fear
Thou, to whom the world unknown
With all its shadowy shapes, is shown;
Who seest, appalled, the unreal scene,
While fancy lifts the veil between:
Ah fear! ah frantic fear!
I see, I see thee near.
I know thy hurried step, thy haggard eye!
Like thee I start; like thee disordered fly.
For, lo, what monsters in thy train appear!
Danger, whose limbs of giant mould
What mortal eye can fixed behold?
Who stalks his round, an hideous form,
Howling amidst the midnight storm;
Or throws him on the ridgy steep
Of some loose hanging rock to sleep;
And with him thousand phantoms joined,
Who prompt to deeds accursed the mind:
And those, the fiends, who, near allied,
O'er nature's wounds, the wrecks, preside;
Whilst vengeance, in the lurid air,
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poem by William Taylor Collins
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The Manners - An O D E
FAREWELL, for clearer Ken design'd,
The dim-discover'd Tracts of Mind:
Truths which, from Action's Paths retir'd,
My silent Search in vain requir'd!
No more my Sail that Deep explores,
No more I search those magic Shores,
What Regions part the World of Soul,
Or whence thy Streams, Opinion, roll:
If e'er I round such Rairy Field,
Some Pow'r impart the Spear and Shield,
At which the Wizzard Passions fly,
By which the giant Follies die!
Farewell the Porch, whose Roof is seen,
Arch'd with th'enlivening Olive's Green:
Where Science, prank'd in tissued Vest,
By Reason, Pride, and Fancy drest,
Comes like a Bride so trim array'd,
To wed with Doubt in Plato's Shade!
Youth of the quick uncheated Sight,
Thy Walks, Observance, more invite!
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poem by William Taylor Collins
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Ode on the Poetical Character
As once, if not with light regard,
I read aright that gifted bard,
(Him whose school above the rest
His loveliest Elfin Queen has blest,)
One, only one, unrival'd fair,
Might hope the magic girdle wear,
At solemn tourney hung on high,
The wish of each love-darting eye;
Lo! to each other nymph in turn applied,
As if, in air unseen, some hov'ring hand,
Some chaste and angel-friend to virgin-fame,
With whisper'd spell had burst the starting band,
It left unblest her loath'd dishonour'd side;
Happier, hopeless fair, if never
Her baffled hand with vain endeavour
Had touch'd that fatal zone to her denied!
Young Fancy thus, to me divinest name,
To whom, prepar'd and bath'd in Heav'n,
The cest of amplest pow'r is giv'n:
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poem by William Taylor Collins
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Eclogue the Third Abra
SCENE, a forest TIME, the Evening
In Georgia's land, where Tefflis' towers are seen,
In distant view along the level green,
While evening dews enrich the glittering glade,
And the tall forests cast a longer shade,
Amidst the maids of Zagen's peaceful grove,
Emyra sung the pleasing cares of love.
Of Abra first began the tender strain,
Who led her youth with flocks upon the plain.
At morn she came those willing flocks to lead,
Where lilies rear them in the watery mead;
From early dawn the livelong hours she told,
Till late at silent ev'n she penned the fold.
Deep in the grove beneath the secret shade,
A various wreath of odorous flowers she made.
Gay-motleyed pinks and sweet jonquils she chose,
The violet-blue that on the moss-bank grows;
All-sweet to sense, the flaunting rose was there;
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poem by William Taylor Collins
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Eclogue the First Selim
SCENE, a Valley near Bagdat TIME, the Morning
`Ye Persian maids, attend your poet's lays,
And hear how shepherds pass their golden days:
Not all are blest, whom fortune's hand sustains
With wealth in courts, nor all that haunt the plains:
Well may your hearts believe the truths I tell;
'Tis virtue makes the bliss, where'er we dwell.'
Thus Selim sung, by sacred Truth inspired;
No praise the youth, but hers alone, desired.
Wise in himself, his meaning songs conveyed
Informing morals to the shepherd maid,
Or taught the swains that surest bliss to find,
What groves nor streams bestow, a virtuous mind.
When sweet and odorous, like an eastern bride,
The radiant morn resumed her orient pride,
When wanton gales along the valleys play,
Breathe on each flower, and bear their sweets away:
By Tigris' wandering waves he sat, and sung
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poem by William Taylor Collins
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Eclogue the Fourth Agib
SCENE, a Mountain in Circassia TIME, Midnight
In fair Circassia, where, to love inclined,
Each swain was blest, for every maid was kind!
At that still hour, when awful midnight reigns,
And none but wretches haunt the twilight plains;
What time the moon had hung her lamp on high,
And passed in radiance through the cloudless sky:
Sad o'er the dews two brother shepherds fled,
Where wildering fear and desperate sorrow led.
Fast as they pressed their flight, behind them lay
Wide ravaged plains and valleys stole away.
Along the mountain's bending sides they ran,
Till faint and weak Secander thus began.
SECANDER
O stay thee, Agib, for my feet deny,
No longer friendly to my life, to fly.
Friend of my heart, O turn thee and survey,
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poem by William Taylor Collins
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Eclogue the Second Hassan
SCENE, the Desert TIME, Mid-day
10 In silent horror o'er the desert-waste
The driver Hassan with his camels passed.
One cruse of water on his back he bore,
And his light scrip contained a scanty store;
A fan of painted feathers in his hand,
To guard his shaded face from scorching sand.
The sultry sun had gained the middle sky,
And not a tree and not an herb was nigh.
The beasts with pain their dusty way pursue,
Shrill roared the winds and dreary was the view!
20 With desperate sorrow wild, the affrighted man
Thrice sighed, thrice struck his breast, and thus began:
`Sad was the hour and luckless was the day,
When first from Schiraz' walls I bent my way.
`Ah! little thought I of the blasting wind,
The thirst or pinching hunger that I find!
Bethink thee, Hassan, where shall thirst assuage,
When fails this cruse, his unrelenting rage?
Soon shall this scrip its precious load resign,
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poem by William Taylor Collins
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The Passions. An Ode to Music
When Music, heav'nly maid, was young,
While yet in early Greece she sung,
The Passions oft, to hear her shell,
Throng'd around her magic cell,
Exulting, trembling, raging, fainting,
Possest beyond the Muse's painting;
By turns they felt the glowing mind
Disturb'd, delighted, rais'd, refin'd:
Till once, 'tis said, when all were fir'd,
Fill'd with fury, rapt, inspir'd,
From the supporting myrtles round
They snatch'd her instruments of sound;
And as they oft had heard apart
Sweet lessons of her forceful art,
Each, for madness rul'd the hour,
Would prove his own expressive pow'r.
First Fear his hand, its skill to try,
Amid the chords bewilder'd laid,
And back recoil'd, he knew not why,
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poem by William Taylor Collins
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Ode to Liberty
S T R O P H E.
WHO shall wake the Spartan Fife,
And call in solemn Sounds to Life,
The Youths, whose Locks divinely spreading,
Like vernal Hyacinths in sullen Hue,
At once the Breath of Fear and Virtue shedding,
Applauding Freedom, lov'd of old to view?
What New Alcæus, Fancy-blest,
Shall sing the Sword, in Myrtles drest,
At Wisdom's Shrine a-while its Flame concealing,
(What Place so fit to seal a Deed renown'd?)
Till she her brightest Lightnings round revealing,
It leap'd in Glory forth, and dealt her prompted Wound!
O Goddess, in that feeling Hour,
When most its Sounds would court thy Ears,
Let not my Shell's misguided Pow'r,
E'er draw thy sad, thy mindful Tears.
No, Freedom, no, I will not tell,
How Rome, before thy weeping Face,
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poem by William Taylor Collins
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An Epistle Addressed To Sir Thomas Hanmer, On His Edition Of Shakspeare's Works
WHILE, born to bring the Muse's happier days,
A patriot's hand protects a poet's lays,
While nurs'd by you she sees her myrtles bloom,
Green and unwither'd o'er his honour'd tomb;
Excuse her doubts, if yet she fears to tell
What secret transports in her bosom swell.
With conscious awe she hears the critic's fame,
And blushing hides her wreath at Shakespeare's name.
Hard was the lot those injur'd strains endur'd,
Unown'd by Science, and by years obscur'd;
Fair Fancy wept; and echoing sighs confess'd
A fixt despair in every tuneful breast.
Not with more grief the afflicted swains appear,
When wintry winds deform the plenteous year;
When ling'ring frosts the ruin'd seats invade
Where Peace resorted, and the Graces play'd.
Each rising art by just gradation moves,
Toil builds on toil and age on age improves:
The Muse alone unequal dealt her rage,
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poem by William Taylor Collins
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