Penumbra
As I sit here in the quiet Summer night,
Suddenly, from the distant road, there comes
The grind and rush of an electric car.
And, from still farther off,
An engine puffs sharply,
Followed by the drawn-out shunting scrape of a freight train.
These are the sounds that men make
In the long business of living.
They will always make such sounds,
Years after I am dead and cannot hear them.
Sitting here in the Summer night,
I think of my death.
What will it be like for you then?
You will see my chair
With its bright chintz covering
Standing in the afternoon sunshine,
As now.
You will see my narrow table
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poem by Amy Lowell
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In Excelsis
You -- you --
Your shadow is sunlight on a plate of silver;
Your footsteps, the seeding-place of lilies;
Your hands moving, a chime of bells across a windless air.
The movement of your hands is the long, golden running of light from a rising sun;
It is the hopping of birds upon a garden-path.
As the perfume of jonquils, you come forth in the morning.
Young horses are not more sudden than your thoughts,
Your words are bees about a pear-tree,
Your fancies are the gold-and-black striped wasps buzzing among red apples.
I drink your lips,
I eat the whiteness of your hands and feet.
My mouth is open,
As a new jar I am empty and open.
Like white water are you who fill the cup of my mouth,
Like a brook of water thronged with lilies.
You are frozen as the clouds,
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poem by Amy Lowell
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Roads
I know a country laced with roads,
They join the hills and they span the brooks,
They weave like a shuttle between broad fields,
And slide discreetly through hidden nooks.
They are canopied like a Persian dome
And carpeted with orient dyes.
They are myriad-voiced, and musical,
And scented with happiest memories.
O Winding roads that I know so well,
Every twist and turn, every hollow and hill!
They are set in my heart to a pulsing tune
Gay as a honey-bee humming in June.
'T is the rhythmic beat of a horse's feet
And the pattering paws of a sheep-dog bitch;
'T is the creaking trees, and the singing breeze,
And the rustle of leaves in the road-side ditch.
A cow in a meadow shakes her bell
And the notes cut sharp through the autumn air,
Each chattering brook bears a fleet of leaves
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poem by Amy Lowell
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The Way
At first a mere thread of a footpath half blotted out by the grasses
Sweeping triumphant across it, it wound between hedges of roses
Whose blossoms were poised above leaves as pond lilies float on the water,
While hidden by bloom in a hawthorn a bird filled the morning with singing.
It widened a highway, majestic, stretching ever to distant horizons,
Where shadows of tree-branches wavered, vague outlines invaded by sunshine;
No sound but the wind as it whispered the secrets of earth to the flowers,
And the hum of the yellow bees, honey-laden and dusty with pollen.
And Summer said, "Come, follow onward, with no thought save the longing to wander,
The wind, and the bees, and the flowers, all singing the great song of Nature,
Are minstrels of change and of promise, they herald the joy of the Future."
Later the solitude vanished, confused and distracted the road
Where many were seeking and jostling. Left behind were the trees and the flowers,
The half-realized beauty of quiet, the sacred unconscious communing.
And now he is come to a river, a line of gray, sullen water,
Not blue and splashing, but dark, rolling somberly on to the ocean.
But on the far side is a city whose windows flame gold in the sunset.
It lies fair and shining before him, a gem set betwixt sky and water,
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poem by Amy Lowell
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Two Travellers in the Place Vendome
Reign of Louis Philippe
A great tall column spearing at the sky
With a little man on top. Goodness! Tell me why?
He looks a silly thing enough to stand up there so high.
What a strange fellow, like a soldier in a play,
Tight-fitting coat with the tails cut away,
High-crowned hat which the brims overlay.
Two-horned hat makes an outline like a bow.
Must have a sword, I can see the light glow
Between a dark line and his leg. Vertigo
I get gazing up at him, a pygmy flashed with sun.
A weathercock or scarecrow or both things in one?
As bright as a jewelled crown hung above a throne.
Say, what is the use of him if he doesn't turn?
Just put up to glitter there, like a torch to burn,
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poem by Amy Lowell
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A Japanese Wood-Carving
High up above the open, welcoming door
It hangs, a piece of wood with colours dim.
Once, long ago, it was a waving tree
And knew the sun and shadow through the leaves
Of forest trees, in a thick eastern wood.
The winter snows had bent its branches down,
The spring had swelled its buds with coming flowers,
Summer had run like fire through its veins,
While autumn pelted it with chestnut burrs,
And strewed the leafy ground with acorn cups.
Dark midnight storms had roared and crashed among
Its branches, breaking here and there a limb;
But every now and then broad sunlit days
Lovingly lingered, caught among the leaves.
Yes, it had known all this, and yet to us
It does not speak of mossy forest ways,
Of whispering pine trees or the shimmering birch;
But of quick winds, and the salt, stinging sea!
An artist once, with patient, careful knife,
Had fashioned it like to the untamed sea.
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poem by Amy Lowell
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Teatro Bambino. Dublin, N. H.
How still it is! Sunshine itself here falls
In quiet shafts of light through the high trees
Which, arching, make a roof above the walls
Changing from sun to shadow as each breeze
Lingers a moment, charmed by the strange sight
Of an Italian theatre, storied, seer
Of vague romance, and time's long history;
Where tiers of grass-grown seats sprinkled with white,
Sweet-scented clover, form a broken sphere
Grouped round the stage in hushed expectancy.
What sound is that which echoes through the wood?
Is it the reedy note of an oaten pipe?
Perchance a minute more will see the brood
Of the shaggy forest god, and on his lip
Will rest the rushes he is wont to play.
His train in woven baskets bear ripe fruit
And weave a dance with ropes of gray acorns,
So light their touch the grasses scarcely sway
As they the measure tread to the lilting flute.
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poem by Amy Lowell
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Summer
Some men there are who find in nature all
Their inspiration, hers the sympathy
Which spurs them on to any great endeavor,
To them the fields and woods are closest friends,
And they hold dear communion with the hills;
The voice of waters soothes them with its fall,
And the great winds bring healing in their sound.
To them a city is a prison house
Where pent up human forces labour and strive,
Where beauty dwells not, driven forth by man;
But where in winter they must live until
Summer gives back the spaces of the hills.
To me it is not so. I love the earth
And all the gifts of her so lavish hand:
Sunshine and flowers, rivers and rushing winds,
Thick branches swaying in a winter storm,
And moonlight playing in a boat's wide wake;
But more than these, and much, ah, how much more,
I love the very human heart of man.
Above me spreads the hot, blue mid-day sky,
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poem by Amy Lowell
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In A Time Of Dearth
Before me,
On either side of me,
I see sand.
If I turn the corner of my house,
I see sand,
Long, brown
Lines and levels of flat
Sand.
If I could only see a caravan
Heave over the edge of it:
The camels wobbling and swaying,
Stepping like ostriches,
With rocking palanquins
Whose curtains conceal
Languors and faintnesses,
Muslins tossed aside,
And a disorder of cushions.
The swinging curtains would pique and solace me.
But I only see sand,
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poem by Amy Lowell
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The Dinner-Party
Fish
'So . . .' they said,
With their wine-glasses delicately poised,
Mocking at the thing they cannot understand.
'So . . .' they said again,
Amused and insolent.
The silver on the table glittered,
And the red wine in the glasses
Seemed the blood I had wasted
In a foolish cause.
Game
The gentleman with the grey-and-black whiskers
Sneered languidly over his quail.
Then my heart flew up and laboured,
And I burst from my own holding
And hurled myself forward.
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poem by Amy Lowell
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