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Archibald MacLeish

Lines For A Prologue

These alternate nights and days, these seasons
Somehow fail to convince me. It seems
I have the sense of infinity!


(In your dreams, O crew of Columbus,
O listeners over the sea
For the surf that breaks upon Nothing—)


Once I was waked by the nightingales in the garden.
I thought, What time is it? I thought,
Time—Is it Time still?—Now is it Time?


(Tell me your dreams, O sailors:
Tell me, in sleep did you climb
The tall masts, and before you—)

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Baccalaureate

A year or two, and grey Euripides,
And Horace and a Lydia or so,
And Euclid and the brush of Angelo,
Darwin on man, Vergilius on bees,
The nose and Dialogues of Socrates,
Don Quixote, Hudibras and Trinculo,
How worlds are spawned and where the dead gods go,--
All shall be shard of broken memories.

And there shall linger other, magic things,--
The fog that creeps in wanly from the sea,
The rotton harbor smell, the mystery
Of moonlit elms, the flash of pigeon wings,
The sunny Green, the old-world peace that clings
About the college yard, where endlessly
The dead go up and down. These things shall be
Enchantment of our heart's rememberings.

And these are more than memories of youth
Which earth's four winds of pain shall blow away;

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Dr. Sigmund Freud Discovers the Sea Shell

Science, that simple saint, cannot be bothered
Figuring what anything is for:
Enough for her devotions that things are
And can be contemplated soon as gathered.

She knows how every living thing was fathered,
She calculates the climate of each star,
She counts the fish at sea, but cannot care
Why any one of them exists, fish, fire or feathered.

Why should she? Her religion is to tell
By rote her rosary of perfect answers.
Metaphysics she can leave to man:
She never wakes at night in heaven or hell

Staring at darkness. In her holy cell
There is no darkness ever: the pure candle
Burns, the beads drop briskly from her hand.

Who dares to offer Her the curled sea shell!

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Unfinished History

WE HAVE loved each other in this time twenty years
And with such love as few men have in them even for
One or for the marriage month or the hearing of
Three nights' carts in the street but it will leave them:
We have been lovers the twentieth year now:
Our bed has been made in many houses and evenings:
The apple-tree moves at the window in this house:
There were palms rattled the night through in one:
In one there were red tiles and the sea's hours:
We have made our bed in the changes of many months and the
Light of the day is still overlong in the windows
Till night shall bring us the lamp and one another:
Those that have seen her have no thought what she is:
Her face is clear in the sun as a palmful of water:
Only by night and in love are the dark winds on it....
I wrote this poem that day when I thought
Since we have loved we two so long together
Shall we have done together all love gone?
Or how then will it change with us when the breath
Is no more able for such joy and the blood is

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Immortal Autumn

I speak this poem now with grave and level voice
In praise of autumn, of the far-horn-winding fall.

I praise the flower-barren fields, the clouds, the tall
Unanswering branches where the wind makes sullen noise.

I praise the fall: it is the human season.
Now
No more the foreign sun does meddle at our earth,
Enforce the green and bring the fallow land to birth,
Nor winter yet weigh all with silence the pine bough,

But now in autumn with the black and outcast crows
Share we the spacious world: the whispering year is gone:
There is more room to live now: the once secret dawn
Comes late by daylight and the dark unguarded goes.

Between the mutinous brave burning of the leaves
And winter’s covering of our hearts with his deep snow
We are alone: there are no evening birds: we know

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The Night Dream

To R. L.

NEITHER her voice, her name,
Eyes, quietness neither,
That moved through the light, that came
Cold stalk in her teeth
Bitten of some blue flower
Knew I before nor saw.
This was a dream. Ah,
This was a dream. There was sun
Laid on the cloths of a table
We drank together. Her mouth
Was a lion's mouth out of jade
Cold with a fable of water.
Faces I could not see
Watched me with gentleness. Grace
Folded my body with wings.
I cannot love you she said.
My head she laid on her breast.
As stillness with ringing of bees

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You, Andrew Marvell

And here face down beneath the sun
And here upon earth's noonward height
To feel the always coming on
The always rising of the night:

To feel creep up the curving east
The earthy chill of dusk and slow
Upon those under lands the vast
And ever climbing shadow grow

And strange at Ecbatan the trees
Take leaf by leaf the evening strange
The flooding dark about their knees
The mountains over Persia change

And now at Kermanshah the gate
Dark empty and the withered grass
And through the twilight now the late
Few travelers in the westward pass

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Two Poems from the War

Oh, not the loss of the accomplished thing!
Not dumb farewells, nor long relinquishment
Of beauty had, and golden summer spent,
And savage glory of the fluttering
Torn banners of the rain, and frosty ring
Of moon-white winters, and the imminent
Long-lunging seas, and glowing students bent
To race on some smooth beach the gull's wing:

Not these, nor all we've been, nor all we've loved,
The pitiful familiar names, had moved
Our hearts to weep for them; but oh, the star
The future is! Eternity's too wan
To give again that undefeated, far,
All-possible irradiance of dawn.

Like moon-dark, like brown water you escape,
O laughing mouth, O sweet uplifted lips.
Within the peering brain old ghosts take shape;
You flame and wither as the white foam slips

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Definition Of The Frontiers

First there is the wind but not like the familiar wind but long and without lapses or falling away or surges of air as is usual but rather like the persistent pressure of a river or a running tide.

This wind is from the other side and has an odor unlike the odor of the winds with us but like time if time had odor and were cold and carried a bitter and sharp taste like rust on the taste of snow or the fragrance of thunder.

When the air has this taste of time the frontiers are not far from us.

Then too there are the animals. There are always animals under the small trees. They belong neither to our side nor to theirs but are wild and because they are animals of such kind that wildness is unfamiliar in them as the horse for example or the goat and often sheep and dogs and like creatures their wandering there is strange and even terrifying signaling as it does the violation of custom and the subversion of order.

There are also the unnatural lovers the distortion of images the penetration of mirrors and the inarticulate meanings of the dreams. The dreams are in turmoil like a squall of birds.

Finally there is the evasion of those with whom we have come. It is at the frontiers that the companions desert us—that the girl returns to the old country

that we are alone.

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Not Marble Nor The Gilded Monuments

THE praisers of women in their proud and beautiful poems
Naming the grave mouth and the hair and the eyes
Boasted those they loved should be forever remembered
These were lies
The words sound but the face in the Istrian sun is forgotten
The poet speaks but to her dead ears no more
The sleek throat is gone -and the breast that was troubled to listen
Shadow from door
Therefore I will not praise your knees nor your fine walking
Telling you men shall remember your name as long
As lips move or breath is spent or the iron of English
Rings from a tongue
I shall say you were young and your arms straight and you!
mouth scarlet
I shall say you will die and none will remember you
Your arms change and none remember the swish of your garments
Nor the click of your shoe
Not with my hand's strength not with difficult labor
Springing the obstinate words to the bones of your breast
And the stubborn line to your young stride and the breath to your breathing

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