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Boris Pasternak

Unique Days

How I remember solstice days
Through many winters long completed!
Each unrepeatable, unique,
And each one countless times repeated.

Of all these days, these only days,
When one rejoiced in the impression
That time had stopped, there grew in years
An unforgettable succession.

Each one of them I can evoke.
The year is to midwinter moving,
The roofs are dripping, roads are soaked,
And on the ice the sun is brooding.

Then lovers hastily are drawn
To one another, vague and dreaming,
And in the heat, upon a tree
The sweating nesting-box is steaming.

[...] Read more

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Soul

My mournful soul, you, sorrowing
For all my friends around,
You have become the burial vault
Of all those hounded down.

Devoting to their memory
A verse, embalming them,
In torment, broken, lovingly
Lamenting over them,

In this our mean and selfish time,
For conscience and for quest
You stand-a columbarium
To lay their souls to rest.

The sum of all their agonies
Has bowed you to the ground.
You smell of dust, of death's decay,
Of morgue and burial mound.

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Margarita

Sundering the bushes like a snare,
More violet than Margarita's tight-pressed lips,
More passionate than Margarita's white-eyed stare,
The nightingale glowed, royally throbbed and trilled.

Like the scent of grass ascending,
Like the crazed rainfall's mercury, the foliage among,
He stupefied the bark, approached the mouth, panting,
And, halting there, upon a braid he hung.

When Margarita to the light was drawn,
Stroking her eyes with an astonished hand,
It seemed, beneath the helm of branch and rain,
A weary Amazon was fallen to the ground.

Her head in her hand in his hand lay,
Her other arm was bent back up to where,
Dangling, there hung her helmet of shade,
Sundering the branches like a snare.

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A Dream

I dreamt of autumn in the window's twilight,
And you, a tipsy jesters' throng amidst. '
And like a falcon, having stooped to slaughter,
My heart returned to settle on your wrist.

But time went on, grew old and deaf. Like thawing
Soft ice old silk decayed on easy chairs.
A bloated sunset from the garden painted
The glass with bloody red September tears.

But time grew old and deaf. And you, the loud one,
Quite suddenly were still. This broke a spell.
The dreaming ceased at once, as though in answer
To an abruptly silenced bell.

And I awakened. Dismal as the autumn
The dawn was dark. A stronger wind arose
To chase the racing birchtrees on the skyline,
As from a running cart the streams of straws.

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The Weeping Garden

It’s terrible! – all drip and listening.
Whether, as ever, it’s loneliness,
splashing a branch, like lace, on the window,
or whether perhaps there’s a witness.

Choked there beneath its swollen
burden – earth’s nostrils, and audibly,
like August, far off in the distance,
midnight, ripening slow with the fields.

No sound. No one’s in hiding.
Confirming its pure desolation,
it returns to its game – slipping
from roof, to gutter, slides on.

I’ll moisten my lips, listening:
whether, as ever, I’m loneliness,
and ready maybe for weeping,
or whether perhaps there’s a witness.

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Beloved, with the spent and sickly fumes...

Beloved, with the spent and sickly fumes
Of rumour's cinders all the air is filled,
But you are the engrossing lexicon
Of fame mysterious and unrevealed,

And fame it is the soil's strong pull.
Would that I more erect were sprung!
But even so I shall be called
The native son of my own native tongue.

The poets' age no longer sets their rhyme,
Now, in the sweep of country plots and roads,
Lermontov is rhymed with summertime,
And Pushkin rhymes with geese and snow.

And my wish is that when we die,
Our circle closed, and hence depart,
We shall be set in closer rhyme
Than binds the auricle and the heart.

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I hang limp on the Creator's pen

I hang limp on the Creator's pen
Like a large drop of lilac gloss-paint.

Underneath are dykes' secrets; the air
From the railways is sodden and sticky,
Of the fumes of coal and night fires reeking.
But the moment night kills sunset's glare,
It turns pink itself, tinged with far flares,
And the fence stands stiff, paradox-stricken.

It keeps muttering: stop it till dawn.
Let the dry whiting finally settle.
Hard as nails is the worm-eaten ground,
And the echo's as keen as a skittle.

Warm spring wind, spots of cheviot and mud,
Early naileries' hoots faraway,
On the grater of cobble-stones road,
As on radishes lavishly sprayed,
Tears stand out clearly at break of day.

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Lessons of English

When Desdemona sang a ditty-
In her last hours among the living-
It wasn't love that she lamented,
And not her star-she mourned a willow.
When Desdemona started singing,
With tears near choking off her voice,
Her evil demon for her evil day
Stored up of weeping rills a choice.

And when Ophelia sang a ballad-
In her last hours among the living-
All dryness of her soul was carried
Aloft by gusts of wind, like cinders.

The day Ophelia started singing,
By bitterness of daydreams jaded,
What trophies did she clutch, when sinking?
A bunch of buttercups and daisies.

Their shoulders stripped of passion's tatters,

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Improvisation

I fed out of my hand a flock of keys
To clapping of wings and shrill cries in flight.
Sleeves up, arms out, on tiptoe I rose;
At my elbow I felt the nudging of night.
The dark. And the pond, and the wash of waves.
And screeching black beaks in their savage attack,
All quick for the kill - not to hunger and die,
While birds of the species I-love-you fall back.

The pond. And the dark. The pulsating flare
From pipkins of pitch in the gloom of midnight,
The boat keel nibbled by lapping of waves.
And birds at my elbow in their wrath and fight.
Night gurgled, washed in the gullets of weirs.
And it seemed if the young were unfed, by rote,
The hen-birds would kill - before the roulades
Would die in the shrilling, the crooked throat.

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March

The sun is hotter than the top ledge in a steam bath;
The ravine, crazed, is rampaging below.
Spring -- that corn-fed, husky milkmaid --
Is busy at her chores with never a letup.

The snow is wasting (pernicious anemia --
See those branching veinlets of impotent blue?)
Yet in the cowbarn life is burbling, steaming,
And the tines of pitchforks simply glow with health.

These days -- these days, and these nights also!
With eavesdrop thrumming its tattoos at noon,
With icicles (cachectic!) hanging on to gables,
And with the chattering of rills that never sleep!

All doors are flung open -- in stable and in cowbarn;
Pigeons peck at oats fallen in the snow;
And the culprit of all this and its life-begetter--
The pile of manure -- is pungent with ozone.

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Boris Pasternak
Boris Pasternak