The Comrade

WILD winged thing, O brought I know not whence
To beat your life out in my life's low cage;
You strange familiar, nearer than my flesh
Yet distant as a star, that were at first
A child with me a child, yet elfin-far,
And visibly of some unearthly breed;
Mirthfullest mate of all my mortal games,
Yet shedding on them some evasive gleam
Of Latmian loneliness -- O seven then
Expert to lift the latch of our low door
And profit by the hours when, dusked about
By human misintelligence, our first
Weak fledgling flights were safeliest essayed;
Divine accomplice of those perilous-sweet
Low moth-flights of the unadventured soul
Above the world's dim garden! -- now we sit,
After what stretch of years, what stretch of wings,
In the same cage together -- still as near
And still as strange!
Only I know at last

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poem by Edith Wharton
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Artemis To Actaeon

Thou couldst not look on me and live: so runs
The mortal legend—thou that couldst not live
Nor look on me (so the divine decree)!
That saw’st me in the cloud, the wave, the bough,
The clod commoved with April, and the shapes
Lurking ‘twixt lid and eye-ball in the dark.
Mocked I thee not in every guise of life,
Hid in girls’ eyes, a naiad in her well,
Wooed through their laughter, and like echo fled,
Luring thee down the primal silences
Where the heart hushes and the flesh is dumb?
Nay, was not I the tide that drew thee out
Relentlessly from the detaining shore,
Forth from the home-lights and the hailing voices,
Forth from the last faint headland’s failing line,
Till I enveloped thee from verge to verge
And hid thee in the hollow of my being?
And still, because between us hung the veil,
The myriad-tinted veil of sense, thy feet
Refused their rest, thy hands the gifts of life,

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poem by Edith Wharton
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Summer Afternoon (Bodiam Castle, Sussex)

THOU couldst not look on me and live: so runs
The mortal legend -- thou that couldst not live
Nor look on me (so the divine decree)!
That sawst me in the cloud, the wave, the bough,
The clod commoved with April, and the shapes
Lurking 'twixt lid and eye-ball in the dark.
Mocked I thee not in every guise of life,
Hid in girls' eyes, a naiad in her well,
Wooed through their laughter, and like echo fled,
Luring thee down the primal silences
Where the heart hushes and the flesh is dumb?
Nay, was not I the tide that drew thee out
Relentlessly from the detaining shore,
Forth from the home-lights and the hailing voices,
Forth from the last faint headland's failing line,
Till I enveloped thee from verge to verge
And hid thee in the hollow of my being?
And still, because between us hung the veil,
The myriad-tinted veil of sense, thy feet
Refused their rest, thy hands the gifts of life,

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poem by Edith Wharton
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The Mortal Lease

I

Because the currents of our love are poured
Through the slow welter of the primal flood
From some blind source of monster-haunted mud,
And flung together by random forces stored
Ere the vast void with rushing worlds was scored—
Because we know ourselves but the dim scud
Tossed from their heedless keels, the sea-blown bud
That wastes and scatters ere the wave has roared—

Because we have this knowledge in our veins,
Shall we deny the journey’s gathered lore—
The great refusals and the long disdains,
The stubborn questing for a phantom shore,
The sleepless hopes and memorable pains,
And all mortality’s immortal gains?

II

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poem by Edith Wharton
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The Bread Of Angels

AT that lost hour disowned of day and night,
The after-birth of midnight, when life's face
Turns to the wall and the last lamp goes out
Before the incipient irony of dawn --
In that obliterate interval of time
Between the oil's last flicker and the first
Reluctant shudder of averted day,
Threading the city's streets (like mine own ghost
Wakening the echoes of dispeopled dreams),
I smiled to see how the last light that fought
Extinction was the old familiar glare
Of supper tables under gas-lit ceilings,
The same old stale monotonous carouse
Of greed and surfeit nodding face to face
O'er the picked bones of pleasure . . .
So that the city seemed, at that waste hour,
Like some expiring planet from whose face
All nobler life had perished -- love and hate,
And labor and the ecstasy of thought --
Leaving the eyeless creatures of the ooze,

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poem by Edith Wharton
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Life

NAY, lift me to thy lips, Life, and once more
Pour the wild music through me --

I quivered in the reed-bed with my kind,
Rooted in Lethe-bank, when at the dawn
There came a groping shape of mystery
Moving among us, that with random stroke
Severed, and rapt me from my silent tribe,
Pierced, fashioned, lipped me, sounding for a voice,
Laughing on Lethe-bank -- and in my throat
I felt the wing-beat of the fledgeling notes,
The bubble of godlike laughter in my throat.

Such little songs she sang,
Pursing her lips to fit the tiny pipe,
They trickled from me like a slender spring
That strings frail wood-growths on its crystal thread,
Nor dreams of glassing cities, bearing ships.
She sang, and bore me through the April world
Matching the birds, doubling the insect-hum

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poem by Edith Wharton
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Orpheus

Love will make men dare to die for their beloved. . . Of this
Alcestis is a monument . . . for she was willing to lay down her
life for her husband . . . and so noble did this appear to the gods
that they granted her the privilege of returning to earth . . . but
Orpheus, the son of OEagrus, they sent empty away. . .

Plato: The Symposium

Orpheus the Harper, coming to the gate
Where the implacable dim warder sate,
Besought for parley with a shade within,
Dearer to him than life itself had been,
Sweeter than sunlight on Illyrian sea,
Or bloom of myrtle, or murmur of laden bee,
Whom lately from his unconsenting breast
The Fates, at some capricious blind behest,
Intolerably had reft—Eurydice,
Dear to the sunlight as Illyrian sea,
Sweet as the murmur of bees, or myrtle bloom—
And uncompanioned led her to the tomb.

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poem by Edith Wharton
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Ogrin The Hermit

Ogrin the Hermit in old age set forth
This tale to them that sought him in the extreme
Ancient grey wood where he and silence housed:

Long years ago, when yet my sight was keen,
My hearing knew the word of wind in bough,
And all the low fore-runners of the storm,
There reached me, where I sat beneath my thatch,
A crash as of tracked quarry in the brake,
And storm-flecked, fugitive, with straining breasts
And backward eyes and hands inseparable,
Tristan and Iseult, swooning at my feet,
Sought hiding from their hunters. Here they lay.

For pity of their great extremity,
Their sin abhorring, yet not them with it,
I nourished, hid, and suffered them to build
Their branched hut in sight of this grey cross,
That haply, falling on their guilty sleep,
Its shadow should part them like the blade of God,

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poem by Edith Wharton
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Margaret Of Cortona

Fra Paolo, since they say the end is near,
And you of all men have the gentlest eyes,
Most like our father Francis; since you know
How I have toiled and prayed and scourged and striven,
Mothered the orphan, waked beside the sick,
Gone empty that mine enemy might eat,
Given bread for stones in famine years, and channelled
With vigilant knees the pavement of this cell,
Till I constrained the Christ upon the wall
To bend His thorn-crowned Head in mute forgiveness . . .
Three times He bowed it . . . (but the whole stands writ,
Sealed with the Bishop’s signet, as you know),
Once for each person of the Blessed Three—
A miracle that the whole town attests,
The very babes thrust forward for my blessing,
And either parish plotting for my bones—
Since this you know: sit near and bear with me.

I have lain here, these many empty days
I thought to pack with Credos and Hail Marys

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poem by Edith Wharton
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Vesalius In Zante

Set wide the window. Let me drink the day.
I loved light ever, light in eye and brain—
No tapers mirrored in long palace floors,
Nor dedicated depths of silent aisles,
But just the common dusty wind-blown day
That roofs earth’s millions.

O, too long I walked
In that thrice-sifted air that princes breathe,
Nor felt the heaven-wide jostling of the winds
And all the ancient outlawry of earth!
Now let me breathe and see.

This pilgrimage
They call a penance—let them call it that!
I set my face to the East to shrive my soul
Of mortal sin? So be it. If my blade
Once questioned living flesh, if once I tore
The pages of the Book in opening it,
See what the torn page yielded ere the light

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poem by Edith Wharton
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