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Edwin Arlington Robinson

The Story of the Ashes and the Flame

No matter why, nor whence, nor when she came,
There was her place. No matter what men said,
No matter what she was; living or dead,
Faithful or not, he loved her all the same.
The story was as old as human shame,
But ever since that lonely night she fled,
With books to blind him, he had only read
The story of the ashes and the flame.

There she was always coming pretty soon
To fool him back, with penitent scared eyes
That had in them the laughter of the moon
For baffled lovers, and to make him think --
Before she gave him time enough to wink --
Sin's kisses were the keys to Paradise.

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Amaryllis

Once, when I wandered in the woods alone,
An old man tottered up to me and said,
“Come, friend, and see the grave that I have made
For Amaryllis.” There was in the tone
Of his complaint such quaver and such moan
That I took pity on him and obeyed,
And long stood looking where his hands had laid
An ancient woman, shrunk to skin and bone.

Far out beyond the forest I could hear
The calling of loud progress, and the bold
Incessant scream of commerce ringing clear;
But though the trumpets of the world were glad,
It made me lonely and it made me sad
To think that Amaryllis had grown old.

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Another Dark Lady

Think not, because I wonder where you fled,
That I would lift a pin to see you there;
You may, for me, be prowling anywhere,
So long as you show not your little head:
No dark and evil story of the dead
Would leave you less pernicious or less fair—
Not even Lilith, with her famous hair;
And Lilith was the devil, I have read.

I cannot hate you, for I loved you then.
The woods were golden then. There was a road
Through beeches; and I said their smooth feet showed
Like yours. Truth must have heard me from afar,
For I shall never have to learn again
That yours are cloven as no beech’s are.

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Vain Gratuities

Never was there a man much uglier
In eyes of other women, or more grim:
"The Lord has filled her chalice to the brim,
So let us pray she's a philosopher,"
They said; and there was more they said of her--
Deeming it, after twenty years with him,
No wonder that she kept her figure slim
And always made you think of lavender.

But she, demure as ever, and as fair,
Almost, as they remembered her before
She found him, would have laughed had she been there,
And all they said would have been heard no more
Than foam that washes on an island shore
Where there are none to listen or to care.

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The Sunken Crown

Nothing will hold him longer—let him go;
Let him go down where others have gone down;
Little he cares whether we smile or frown,
Or if we know, or if we think we know.
The call is on him for his overthrow,
Say we; so let him rise, or let him drown.
Poor fool! He plunges for the sunken crown,
And we—we wait for what the plunge may show.

Well, we are safe enough. Why linger, then?
The watery chance was his, not ours. Poor fool!
Poor truant, poor Narcissus out of school;
Poor jest of Ascalon; poor king of men.—
The crown, if he be wearing it, may cool
His arrogance, and he may sleep again.

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Aaron Stark

Withal a meagre man was Aaron Stark, --
Cursed and unkempt, shrewd, shrivelled, and morose.
A miser was he, with a miser's nose,
And eyes like little dollars in the dark.
His thin, pinched mouth was nothing but a mark;
And when he spoke there came like sullen blows
Through scattered fangs a few snarled words and close,
As if a cur were chary of its bark.

Glad for the murmur of his hard renown,
Year after year he shambled through the town, --
A loveless exile moving with a staff;
And oftentimes there crept into his ears
A sound of alien pity, touched with tears, --
And then (and only then) did Aaron laugh.

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Reuben Bright

Because he was a butcher and thereby
Did earn an honest living (and did right),
I would not have you think that Reuben Bright
Was any more a brute than you or I;
For when they told him that his wife must die,
He stared at them, and shook with grief and fright,
And cried like a great baby half that night,
And made the women cry to see him cry.

And after she was dead, and he had paid
The singers and the sexton and the rest,
He packed a lot of things that she had made
Most mournfully away in an old chest
Of hers, and put some chopped-up cedar boughs
In with them, and tore down the slaughter-house.

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The Wise Brothers

FIRST VOICE

So long adrift, so fast aground,
What foam and ruin have we found—
We, the Wise Brothers?
Could heaven and earth be framed amiss,
That we should land in fine like this—
We, and no others?


SECOND VOICE

Convoyed by what accursèd thing
Made we this evil reckoning—
We, the Wise Brothers?
And if the failure be complete,
Why look we forward from defeat—
We, and what others?

[...] Read more

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Verlaine

Why do you dig like long-clawed scavengers
To touch the covered corpse of him that fled
The uplands for the fens, and rioted
Like a sick satyr with doom’s worshippers?
Come! let the grass grow there; and leave his verse
To tell the story of the life he led.
Let the man go: let the dead flesh be dead,
And let the worms be its biographers.

Song sloughs away the sin to find redress
In art’s complete remembrance: nothing clings
For long but laurel to the stricken brow
That felt the Muse’s finger; nothing less
Than hell’s fulfilment of the end of things
Can blot the star that shines on Paris now.

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George Crabbe

Give him the darkest inch your shelf allows,
Hide him in lonely garrets, if you will,—
But his hard, human pulse is throbbing still
With the sure strength that fearless truth endows.
In spite of all fine science disavows,
Of his plain excellence and stubborn skill
There yet remains what fashion cannot kill,
Though years have thinned the laurel from his brows.

Whether or not we read him, we can feel
From time to time the vigor of his name
Against us like a finger for the shame
And emptiness of what our souls reveal
In books that are as altars where we kneel
To consecrate the flicker, not the flame.

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