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Henry Lawson

Will Yer Write It Down for Me?

In the parlour of the shanty where the lives have all gone wrong,
When a singer or reciter gives a story or a song,
Where the poet’s heart is speaking to their hearts in every line,
Till the hardest curse and blubber at the thoughts of Auld Lang Syne;
Then a boozer lurches forward with an oath for all disguise—
Prayers and curses in his soul, and tears and liquor in his eyes—
Grasps the singer or reciter with a death-grip by the hand:
‘That’s the truth, bloke! Sling it at ’em! Oh! Gorbli’me, that was grand!
‘Don’t mind me; I’ve got ’em. You know! What’s yer name, bloke! Don’t yer see?
‘Who’s the bloke what wrote the po’try? Will yer write it down fer me?’

And the backblocks’ bard goes through it, ever seeking as he goes
For the line of least resistance to the hearts of men he knows;
And he tracks their hearts in mateship, and he tracks them out alone—
Seeking for the power to sway them, till he finds it in his own,
Feels what they feel, loves what they love, learns to hate what they condemn,
Takes his pen in tears and triumph, and he writes it down for them.

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John Cornstalk

Jack Cornstalk lives in the Southern Land—
What says Cornstalk John?
Jack Cornstalk says in a loud firm voice:
“Land of the South, lead on.”

CHORUS:
Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

John Bull lays claim to the Southern Land.
Jack, is the South Land thine?
John Cornstalk cries in a loud, firm voice:
“The Land of the South is mine!”

Land of the South, lead on, lead on,
Land of the South, lead on!
Land of the South, lead on, lead on,
Lead on, Land of the South!

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Andy's Return

With pannikins all rusty,
And billy burnt and black,
And clothes all torn and dusty,
That scarcely hide his back;
With sun-cracked saddle-leather,
And knotted greenhide rein,
And face burnt brown with weather,
Our Andy’s home again!
His unkempt hair is faded
With sleeping in the wet,
He’s looking old and jaded;
But he is hearty yet.
With eyes sunk in their sockets—
But merry as of yore;
With big cheques in his pockets,
Our Andy’s home once more!

Old Uncle’s bright and cheerful;
He wears a smiling face;
And Aunty’s never tearful

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Write by Return

Clerk, corresponding,
“Rooster and Comb”,
Here I sit idle
“Thinking of home”;
I must be grafting—
Living to earn,
More correspondence,
“Write by return.”

Clerk in employ of
“Shoddy and Woods”,
Thinks that we have not
Forwarded goods.
Parcel we sent them—
Missing, I learn,
Says in his postscript:
“Write by return.”

Here is another
Letter from Bland—

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The Song of the Waste-Paper Basket

O BARD of fortune, you deem me nought
But a mark for your careless scorn.
For I am the echo-less grave of thought
That is strangled before it’s born.
You think perchance that I am a doom
Which only a dunce should dread—
Nor dream I’ve been the dishonoured tomb
Of the noblest and brightest dead.

The brightest fancies that e’er can fly
From the labouring minds of men
Are often written in lines awry,
And marred by a blundering pen;
And thus it comes that I gain a part
Of what to the world is loss—
Of genius lost for the want of art,
Of pearls that are set in dross.

And though I am of a lowly birth
My fame has been cheaply bought,

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Grace Jennings Carmicheal

I hate the pen, the foolscap fair,
The poet’s corner, and the page,
For Grief and Death are written there,
In every land and every age.
The poets sing and play their parts,
Their daring cheers, their humour shines,
But, ah! my friends! their broken hearts
Have writ in blood between the lines.
They fought to build a Commonwealth,
They write for women and for men,
They give their youth, we give their health
And never prostitute the pen.
Their work in other tongues is read,
And when sad years wear out the pen,
Then they may seek their happy dead
Or go and starve in exile then.

A grudging meed of praise you give,
Or, your excuse, the ready lie—
(O! God, you don’t know how they live!

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The Wreck Of The `Derry Castle

Day of ending for beginnings!
Ocean hath another innings,
Ocean hath another score;
And the surges sing his winnings,
And the surges shout his winnings,
And the surges shriek his winnings,
All along the sullen shore.

Sing another dirge in wailing,
For another vessel sailing
With the shadow-ships at sea;
Shadow-ships for ever sinking --
Shadow-ships whose pumps are clinking,
And whose thirsty holds are drinking
Pledges to Eternity.

Pray for souls of ghastly, sodden
Corpses, floating round untrodden
Cliffs, where nought but sea-drift strays;
Souls of dead men, in whose faces

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On the Summit of Mt. Clarence

On the summit of Mount Clarence rotting slowly in the air
Stands a tall and naked flagstaff, relic of the Russian scare—
Russian scare that scares no longer, for the cry is “All is well”—
Yet the flagstaff still is standing like a lonely sentinel.
And it watches through the seasons—winter’s cold and summer’s heat,
Watches seaward, watches ever for the phantom Russian fleet.

In a cave among the ridges, where the scrub is tall and thick
With no human being near him dwells a wretched lunatic:
On Mount Clarence in the morning he will fix his burning eyes,
And he scans the sea and watches for the signal flag to rise;
In his ears the roar of cannon and the sound of battle drums
While he cleans his gun and watches for the foe that never comes.

And they say, at dreary nightfall, when the storms are howling round
Comes a phantom ship to anchor in the waters of the “Sound”,
And the lunatic who sees it wakes the landscape with his whoops,
Loads his gun and marches seaward at the head of airy troops—
To the summit of Mount Clarence leads them on with martial tread,
Fires his gun and sends the Russians to the mustering of the dead.

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For all the Land to See: A Song of the Tools

THE CROSS-CUT and the crowbar cross, and hang them on the wall,
And make a greenhide rack to fit the wedges and the maul,
The “done” long-handled shovel and the thong-bound axe that fell,
The crowbar, pick-axe and the “throw”—the axe that morticed well.
The old patched tent and “fly”, bag bunk and pillow of sugee,
The frying-pan and billy-can, for all the land to see.

The cross-cut, after pounds of files, is narrowed down and thin,
With here and there a tooth cut out as th’ curve straightened in,
The axe close to the iron ground, the shovel to the shaft,
The handle from the first worn smooth with sweat and dust and graft.
The maul and wedges burred and split, spell bravest history—
These were the arms our fathers bore, for none but they to see.

Then look you round on all that is, on cities proud and fair,
And look you westward from the range—towns, farms and homesteads there.
Then hurry to a place you know lest you should be too late,
And clear the scrub some little space—small place, say—three-by eight.
A blackened post stump stands where four rough panels used to be
And there take off your panama where none but God might see.

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Spread the Truth!

BRAVE the anger of the wealthy! Scorn their bitter lying spite!
Tell the Truth in simple language, when you know that you are right!
And they’ll read it by the slush-lamps in the station huts at night,

I have seen the People’s triumph in the visions of my dreams;
It as pictured by the campfires down the lonely western streams,
And the teamsters talk about it as they tramp beside their teams.

Write the Truth in simple language, and you shall not write in vain!
Sing a ringing song of freedom, and you’ll hear the same refrain
Where the drovers ride together far across the western plain.

Write of wrongs that you are hating with the grand old burning hate!
For the lonely digger reads it when the western day is late,
And he marks it in the paper he is sending to his mate.

Spread the Truth in simple language when you feel it in your breast!
It will reach the far selections in the wild Australian west,
Where the bushmen yarn together on a sunny day of rest.

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