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Larry Levis

Elegy For Poe With The Music Of A Carnival Inside It

There is this sunny place where I imagine him.
A park on a hill whose grass wants to turn
Into dust, & would do so if it weren't
For the rain, & the fact that it is only grass
That keeps the park from flowing downhill past
Its trees & past the slender figures in the statues.
Their stone blends in with the sky when the sky
Is overcast. The stone is a kind of rain,
And half the soldiers trapped inside the stone
Are dead. The others have deserted, & run home.
At this time in the morning, half sun, half mist,
There are usually three or four guys sprawled
Alone on benches facing away from one another.
If they're awake, they look as if they haven't slept.
If they're asleep, they look as if they may not wake....
I only imagine it as a sunny place. If they're
Awake, they gaze off as if onto a distant landscape,
Not at the warehouses & the freeway the hill overlooks,
Not onto Jefferson Avenue where, later, they'll try
To score a little infinity wrapped up in tinfoil,

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Elegy With A Bridle In Its Hand

One was a bay cowhorse from Piedra & the other was a washed out palomino
And both stood at the rail of the corral & both went on aging
In each effortless tail swish, the flies rising, then congregating again

Around their eyes & muzzles & withers.

Their front teeth were by now as yellow as antique piano keys & slanted to the angle
Of shingles on the maze of sheds & barn around them; their puckered

Chins were round & black as frostbitten oranges hanging unpicked from the limbs
Of trees all through winter like a comment of winter itself on everything
That led to it & found gradually the way out again.

In the slowness of time. Black time to white, & rind to blossom.
Deity is in the details & we are details among other details & we long to be

Teased out of ourselves. And become all of them.

The bay had worms once & had acquired the habit of drinking orange soda
From an uptilted bottle & nibbling cookies from the flat of a hand, & like to do

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Anastasia & Sandman

The brow of a horse in that moment when
The horse is drinking water so deeply from a trough
It seems to inhale the water, is holy.

I refuse to explain.

When the horse had gone the water in the trough,
All through the empty summer,

Went on reflecting clouds & stars.

The horse cropping grass in a field,
And the fly buzzing around its eyes, are more real
Than the mist in one corner of the field.

Or the angel hidden in the mist, for that matter.

Members of the Committee on the Ineffable,
Let me illustrate this with a story, & ask you all
To rest your heads on the table, cushioned,

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As It Begins With A Brush Stroke On A Snare Drum

The plaza was so still in that moment two years ago that
everything was clear,
As if it had been preserved beneath a kind of lacquered
stillness, &, for a while,
I did not even notice the pigeons lifting above the sad tiles
of churches,

Or how they must have sounded like applause that is not
meant for anyone;

I must not have noticed that blind woman on the corner who
begged coins
For a living, who had one eye swelled shut entirely while
the other, a thin film
Of glaucoma over it that had taken on the lustreless sheen
of a nickel,

Was held wide open to witness spittle on the curb. And soon
the band
In their sun-bleached military uniforms were tuning up beneath

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Elegy For Whatever Had A Pattern In It

Now that the Summer of Love has become the moss of tunnels
And the shadowy mouths of tunnels & all the tunnels lead into the city,

I'm going to put the one largely forgotten, swaying figure of Ediesto Huerta
Right in front of you so you can watch him swamp fruit

Out of an orchard in the heat of an August afternoon, I'm going to let you

Keep your eyes on him as he lifts & swings fifty-pound boxes of late
Elberta peaches up to me where I'm standing on a flatbed trailer & breathing in
Tractor exhaust so thick it bends the air, bends things seen through it

So that they seem to swim through the air.

It is a lousy job, & no one has to do it, & we do it.

We do it so that I can show you even what isn't there,
What's hidden. And signed by Time itself. And set spinning,

And is only a spider, after all, with its net waiting for what falls,

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The Widening Spell of the Leaves

--The Carpathian Frontier, October, 1968
--for my brother

Once, in a foreign country, I was suddenly ill.
I was driving south toward a large city famous
For so little it had a replica, in concrete,
In two-thirds scale, of the Arc de Triomphe stuck
In the midst of traffic, & obstructing it.
But the city was hours away, beyond the hills
Shaped like the bodies of sleeping women.
Often I had to slow down for herds of goats
Or cattle milling on those narrow roads, & for
The narrower, lost, stone streets of villages
I passed through. The pains in my stomach had grown
Gradually sharper & more frequent as the day
Wore on, & now a fever had set up house.
In the villages there wasn't much point in asking
Anyone for help. In those places, where tanks
Were bivouacked in shade on their way back
From some routine exercise along

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