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Lewis Carroll

The Manlet

In stature the Manlet was dwarfish--
No burly, big Blunderbore he;
And he wearily gazed on the crawfish
His Wifelet had dressed for his tea.
'Now reach me, sweet Atom, my gunlet,
And hurl the old shoelet for luck;
Let me hie to the bank of the runlet,
And shoot thee a Duck!'

She has reached him his minikin gunlet;
She has hurled the old shoelet for luck;
She is busily baking a bunlet,
To welcome him home with his Duck.
On he speeds, never wasting a wordlet,
Though thoughtlets cling, closely as wax,
To the spot where the beautiful birdlet
So quietly quacks.

Where the Lobsterlet lurks, and the Crablet
So slowly and sleepily crawls;

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The Aged Aged Man

I'll tell thee everything I can;
There's little to relate.
I saw an aged aged man,
A-sitting on a gate.
"Who are you, aged man?" I said,
"And how is it you live?"
And his answer trickled through my head
Like water through a sieve.

He said, "I look for butterflies
That sleep among the wheat:
I make them into mutton-pies,
And sell them in the street.
I sell them unto men," he said,
"Who sail on stormy seas;
And that's the way I get my bread—
A trifle; if you please."

But I was thinking of a plan
To dye one's whiskers green,

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Lays of Sorrow

The day was wet, the rain fell souse
Like jars of strawberry jam, [1] a
sound was heard in the old henhouse,
A beating of a hammer.
Of stalwart form, and visage warm,
Two youths were seen within it,
Splitting up an old tree into perches for their poultry
At a hundred strokes [2] a minute.
The work is done, the hen has taken
Possession of her nest and eggs,
Without a thought of eggs and bacon, [3]
(Or I am very much mistaken happy)
She turns over each shell,
To be sure that all's well,
Looks into the straw
To see there's no flaw,
Goes once round the house, [4]
Half afraid of a mouse,
Then sinks calmly to rest
On the top of her nest,

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The White Knight's Song

'Haddock's Eyes' or 'The Aged Aged Man' or
'Ways and Means' or 'A-Sitting On A Gate'

I'll tell thee everything I can;
There's little to relate.
I saw an aged, aged man,
A-sitting on a gate.
'Who are you, aged man?' I said.
'And how is it you live?'
And his answer trickled through my head
Like water through a sieve.

He said 'I look for butterflies
That sleep among the wheat;
I make them into mutton-pies,
And sell them in the street.
I sell them unto men,' he said,
'Who sail on stormy seas;
And that's the way I get my bread--
A trifle, if you please.'

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Third Voice

Not long this transport held its place:
Within a little moment's space
Quick tears were raining down his face

His heart stood still, aghast with fear;
A wordless voice, nor far nor near,
He seemed to hear and not to hear.

"Tears kindle not the doubtful spark.
If so, why not? Of this remark
The bearings are profoundly dark."

"Her speech," he said, "hath caused this pain.
Easier I count it to explain
The jargon of the howling main,

"Or, stretched beside some babbling brook,
To con, with inexpressive look,
An unintelligible book."

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Fit the Fourth ( Hunting of the Snark )

The Hunting


The Bellman looked uffish, and wrinkled his brow.
"If only you'd spoken before!
It's excessively awkward to mention it now,
With the Snark, so to speak, at the door!
"We should all of us grieve, as you well may believe,
If you never were met with again--
But surely, my man, when the voyage began,
You might have suggested it then?

"It's excessively awkward to mention it now--
As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
"I informed you the day we embarked.

"You may charge me with murder--or want of sense--
(We are all of us weak at times):
But the slightest approach to a false pretence

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Phantasmagoria CANTO II ( Hys Fyve Rules )

"MY First - but don't suppose," he said,
"I'm setting you a riddle -
Is - if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.

"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.

"If he should say 'HOW CAME YOU HERE?'
(The way that YOU began, Sir,)

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Poeta Fit, Non Nascitur

"How shall I be a poet?
How shall I write in rhyme?
You told me once 'the very wish
Partook of the sublime.'
Then tell me how! Don't put me off
With your 'another time'!"

The old man smiled to see him,
To hear his sudden sally;
He liked the lad to speak his mind
Enthusiastically;
And thought "There's no hum-drum in him,
Nor any shilly-shally."

"And would you be a poet
Before you've been to school?
Ah, well! I hardly thought you
So absolute a fool.
First learn to be spasmodic -
A very simple rule.

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Canto II — Hys Fyve Rules

"My First — but don't suppose," he said,
"I'm setting you a riddle —
Is — if your Victim be in bed,
Don't touch the curtains at his head,
But take them in the middle,

"And wave them slowly in and out,
While drawing them asunder;
And in a minute's time, no doubt,
He'll raise his head and look about
With eyes of wrath and wonder.

"And here you must on no pretence
Make the first observation.
Wait for the Victim to commence:
No Ghost of any common sense
Begins a conversation.

"If he should say 'How came you here?'
(The way that you began, Sir,)

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Fit the Sixth ( Hunting of the Snark )

The Barrister's Dream

They sought it with thimbles, they sought it with care;
They pursued it with forks and hope;
They threatened its life with a railway-share;
They charmed it with smiles and soap.
But the Barrister, weary of proving in vain
That the Beaver's lace-making was wrong,
Fell asleep, and in dreams saw the creature quite plain
That his fancy had dwelt on so long.

He dreamed that he stood in a shadowy Court,
Where the Snark, with a glass in its eye,
Dressed in gown, bands, and wig, was defending a pig
On the charge of deserting its sty.

The Witnesses proved, without error or flaw,
That the sty was deserted when found:
And the Judge kept explaining the state of the law
In a soft under-current of sound.

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