Ode IV: Affected Indifference. To The Same
I.
Yes: you contemn the perjur'd maid
Who all your favorite hopes betray'd:
Nor, though her heart should home return,
Her tuneful tongue it's falsehood mourn,
Her winning eyes your faith implore,
Would you her hand receive again,
Or once dissemble your disdain,
Or listen to the syren's theme,
Or stoop to love: since now esteem
And confidence, and friendship, is no more.
II.
Yet tell me, Phædria, tell me why,
When summoning your pride you try
To meet her looks with cool neglect,
Or cross her walk with slight respect,
(For so is falsehood best repaid)
Whence do your cheeks indignant glow?
Why is your struggling tongue so slow?
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Inscriptions: I: For A Grotto
To me, whom in their lays the shepherds call
Actæa, daughter of the neighbouring stream,
This cave belongs. The fig-tree and the vine,
Which o'er the rocky entrance downward shoot,
Were plac'd by Glycon. He with cowslips pale,
Primrose, and purple lychnis, deck'd the green
Before my threshold, and my shelving walls
With honeysuckle cover'd. Here at noon,
Lull'd by the murmur of my rising fount,
I slumber: here my clustering fruits i tend;
Or from the humid flowers, at break of day,
Fresh garlands weave, and chace from all my bounds
Each thing impure or noxious. Enter-in,
O stranger, undismay'd. nor bat, nor toad
Here lurks: and if thy breast of blameless thoughts
Approve thee, not unwelcome shalt thou tread
My quiet mansion: chiefly, if thy name
Wise Pallas and the immortal muses own.
poem by Mark Akenside
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A Song
The Shape alone let others prize,
The Features of the Fair;
I look for Spirit in her Eyes,
And Meaning in her Air.
A Damask Cheek, an Iv'ry Arm,
Shall ne'er my Wishes win,
Give me an animated Form,
That speaks a Mind within.
A Face where awful Honour shines,
Where Sense and Sweetness move,
And Angel Innocence refines,
The Tenderness of Love.
These are the Soul of Beauty's frame,
Without whose vital Aid,
Unfinish'd all her Features seem,
And all her Roses dead.
But ah! where both their Charms unite,
How perfect is the View,
With ev'ry Image of Delight,
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Amoret
If rightly tuneful bards decide,
If it be fix'd in Love's decrees,
That Beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell—
What fair can Amoret excel?
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet—she so artless all the while,
So little studious to be seen—
We naught but instant gladness know,
Nor think to whom the gift we owe.
But neither music, nor the powers
Of youth and mirth and frolic cheer,
Add half the sunshine to the hours,
Or make life's prospect half so clear,
As memory brings it to the eye
From scenes where Amoret was by.
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Ode V: On Love Of Praise
I.
Of all the springs within the mind
Which prompt her steps in fortune's maze,
From none more pleasing aid we find
Than from the genuine love of praise.
II.
Nor any partial, private end
Such reverence to the public bears;
Nor any passion, virtue's friend,
So like to virtue's self appears.
III.
For who in glory can delight
Without delight in glorious deeds?
What man a charming voice can slight,
Who courts the echo that succeeds?
IV.
But not the echo on the voice
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Ode IX: At Study
I.
Whither did my fancy stray?
By what magic drawn away
Have I left my studious theme?
From this philosophic page,
From the problems of the sage,
Wandering thro' a pleasing dream?
II.
'Tis in vain alas! i find,
Much in vain, my zealous mind
Would to learned wisdom's throne
Dedicate each thoughtful hour:
Nature bids a softer power
Claim some minutes for his own.
III.
Let the busy or the wise
View him with contemptuous eyes;
Love is native to the heart:
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Inscriptions: IV: O Youths And Virgins
O youths and virgins: o declining eld:
O pale misfortune's slaves: o ye who dwell
Unknown with humble quiet; ye who wait
In courts, or fill the golden seat of kings:
O sons of sport and pleasure: o thou wretch
That weep'st for jealous love, or the sore wounds
Of conscious guilt, or death's rapacious hand
Which left thee void of hope: o ye who roam
In exile; ye who through the embattled field
Seek bright renown; or who for nobler palms
Contend, the leaders of a public cause;
Approach: behold this marble. Know ye not
The features? Hath not oft his faithful tongue
Told you the fashion of your own estate,
The secrets of your bosom? Here then, round
His monument with reverence while ye stand,
Say to each other: “This was Shakespear's form;
“Who walk'd in every path of human life,
“Felt every passion; and to all mankind
“Doth now, will ever, that experience yield
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Ode X: To The Muse
I.
Queen of my songs, harmonious maid,
Ah why hast thou withdrawn thy aid?
Ah why forsaken thus my breast
With inauspicious damps oppress'd?
Where is the dread prophetic heat,
With which my bosom wont to beat?
Where all the bright mysterious dreams
Of haunted groves and tuneful streams,
That woo'd my genius to divinest themes?
II.
Say, goddess, can the festal board,
Or young Olympia's form ador'd;
Say, can the pomp of promis'd fame
Relume thy faint, thy dying flame?
Or have melodious airs the power
To give one free, poetic hour?
Or, from amid the Elysian train,
The soul of Milton shall i gain,
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Ode VIII: If Rightly Tuneful Bards Decide
I.
If rightly tuneful bards decide,
If it be fix'd in love's decrees,
That beauty ought not to be tried
But by its native power to please,
Then tell me, youths and lovers, tell,
What fair can Amoret excell?
II.
Behold that bright unsullied smile,
And wisdom speaking in her mien:
Yet (she so artless all the while,
So little studious to be seen)
We nought but instant gladness know,
Nor think to whom the gift we owe.
III.
But neither music, nor the powers
Of youth and mirth and frolick cheer,
Add half that sunshine to the hours,
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To Cordelia
JULY, 1740.
From pompous life's dull masquerade,
From Pride's pursuits, and Passion's war,
Far, my Cordelia, very far,
To thee and me may Heaven assign
The silent pleasures of the shade,
The joys of peace, unenvied, though divine!
Safe in the calm embowering grove,
As thy own lovely brow serene;
Behold the world's fantastic scene!
What low pursuits employ the great,
What tinsel things their wishes move,
The forms of Fashion, and the toys of State.
In vain are all Contentment's charms,
Her placid mien, her cheerful eye;
For look, Cordelia, how they fly!
Allur'd by Power, Applause, or Gain,
They fly her kind protecting arms;
Ah, blind to pleasure, and in love with pain!
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