Inscriptions: III: Whoe'er Thou Art Whose Pat In Summer Lies
Whoe'er thou art whose path in summer lies
Through yonder village, turn thee where the grove
Of branching oaks a rural palace old
Imbosoms. there dwells Albert, generous lord
Of all the harvest round. and onward thence
A low plain chapel fronts the morning light
Fast by a silent riv'let. Humbly walk,
O stranger, o'er the consecrated ground;
And on that verdant hilloc, which thou see'st
Beset with osiers, let thy pious hand
Sprinkle fresh water from the brook and strew
Sweet-smelling flowers. for there doth Edmund rest,
The learned shepherd; for each rural art
Fam'd, and for songs harmonious, and the woes
Of ill-requited love. The faithless pride
Of fair Matilda sank him to the grave
In manhood's prime. But soon did righteous heaven
With tears, with sharp remorse, and pining care,
Avenge her falshood. nor could all the gold
And nuptial pomp, which lur'd her plighted faith
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Ode III: To The Cuckow
I.
O rustic herald of the spring,
At length in yonder woody vale
Fast by the brook I hear thee sing;
And, studious of thy homely tale,
Amid the vespers of the grove,
Amid the chaunting choir of love,
Thy sage responses hail.
II.
The time has been when I have frown'd
To hear thy voice the woods invade;
And while thy solemn accent drown'd
Some sweeter poet of the shade,
Thus, thought I, thus the sons of care
Some constant youth or generous fair
With dull advice upbraid.
III.
I said, 'While Philomela's song
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Inscriptions: VII: The Wood Nymph
Approach in silence. 'tis no vulgar tale
Which I, the Dryad of this hoary oak,
Pronounce to mortal ears. The second age
Now hasteneth to its period, since i rose
On this fair lawn. The groves of yonder vale
Are, all, my offspring: and each Nymph, who guards
The copses and the furrow'd fields beyond,
Obeys me. Many changes have i seen
In human things, and many awful deeds
Of justice, when the ruling hand of Jove
Against the tyrants of the land, against
The unhallow'd sons of luxury and guile,
Was arm'd for retribution. Thus at length
Expert in laws divine, i know the paths
Of wisdom, and erroneous folly's end
Have oft presag'd: and now well-pleas'd i wait
Each evening till a noble youth, who loves
My shade, awhile releas'd from public cares,
Yon peaceful gate shall enter, and sit down
Beneath my branches. Then his musing mind
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poem by Mark Akenside
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Inscriptions: VIII: Ye Powers Unseen
Ye powers unseen, to whom, the bards of Greece
Erected altars; ye who to the mind
More lofty views unfold, and prompt the heart
With more divine emotions; if erewhile
Not quite unpleasing have my votive rites
Of you been deem'd when oft this lonely seat
To you i consecrated; then vouchsafe
Here with your instant energy to crown
My happy solitude. It is the hour
When most i love to invoke you, and have felt
Most frequent your glad ministry divine.
The air is calm: the sun's unveiled orb
Shines in the middle heaven. the harvest round
Stands quiet, and among the golden sheaves
The reapers lie reclin'd. the neighbouring groves
Are mute; nor even a linnet's random strain
Echoeth amid the silence. Let me feel
Your influence, ye kind powers. Aloft in heaven,
Abide ye? or on those transparent clouds
Pass, ye from hill to hill? or on the shades
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Ode VII: On The Use Of Poetry
I.
Not for themselves did human kind
Contrive the parts by heaven assign'd
On life's wide scene to play:
Not Scipio's force, nor Cæsar's skill
Can conquer glory's arduous hill,
If fortune close the way.
II.
Yet still the self-depending soul,
Though last and least in fortune's roll,
His proper sphere commands;
And knows what nature's seal bestow'd,
And sees, before the throne of God,
The rank in which he stands.
III.
Who train'd by laws the future age,
Who rescu'd nations from the rage
Of partial, factious power,
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Ode XV: On Domestic Manners (Unfinished)
I.
Meek honor, female shame,
O! whither, sweetest offspring of the sky,
From Albion dost thou fly;
Of Albion's daughters once the favorite fame?
O beauty's only friend,
Who giv'st her pleasing reverence to inspire;
Who selfish, bold desire
Dost to esteem and dear affection turn;
Alas, of thee forlorn
What joy, what praise, what hope can life pretend?
II.
Behold; our youths in vain
Concerning nuptial happiness inquire:
Our maids no more aspire
The arts of bashful Hymen to attain;
But with triumphant eyes
And cheeks impassive, as they move along,
Ask homage of the throng.
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Ode XIV: To The Honourable Charles Townshend: From The Country
I.
Say, Townshend, what can London boast
To pay thee for the pleasures lost,
The health to-day resign'd,
When spring from this her favorite seat
Bade winter hasten his retreat,
And met the western wind?
II.
Oh knew'st thou how the balmy air,
The sun, the azure heavens prepare
To heal thy languid frame,
No more would noisy courts ingage;
In vain would lying faction's rage
Thy sacred leisure claim.
III.
Oft i look'd forth, and oft admir'd;
Till with the studious volume tir'd
I sought the open day;
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Ode I: The Preface
I.
On yonder verdant hilloc laid,
Where oaks and elms, a friendly shade,
O'erlook the falling stream,
O master of the Latin lyre,
Awhile with thee will i retire
From summer's noontide beam.
II.
And, lo, within my lonely bower,
The industrious bee from many a flower
Collects her balmy dews:
“For me,” she sings, “the gems are born,
“For me their silken robe adorn,
“Their fragrant breath diffuse.”
III.
Sweet murmurer! may no rude storm
This hospitable scene deform,
Nor check thy gladsome toils;
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Ode VI: To William Hall, Esquire: With The Works Of Chaulieu
I.
Attend to Chaulieu's wanton lyre;
While, fluent as the sky-lark sings
When first the morn allures it's wings,
The epicure his theme pursues:
And tell me if, among the choir
Whose music charms the banks of Seine,
So full, so free, so rich a strain
E'er dictated the warbling Muse?
II.
Yet, Hall, while thy judicious ear
Admires the well-dissembled art
That can such harmony impart
To the lame pace of Gallic rhymes;
While wit from affectation clear,
Bright images, and passions true,
Recall to thy assenting view
The envied bards of nobler times;
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Ode XVI: To Caleb Hardinge, M.D.
I.
With sordid floods the wintry Urn
Hath stain'd fair Richmond's level green:
Her naked hill the Dryads mourn,
No longer a poetic scene.
No longer there thy raptur'd eye
The beauteous forms of earth or sky
Surveys as in their Author's mind:
And London shelters from the year
Those whom thy social hours to share
The Attic Muse design'd.
II.
From Hampstead's airy summit me
Her guest the city shall behold,
What day the people's stern decree
To unbelieving kings is told,
When common men (the dread of fame)
Adjudg'd as one of evil name,
Before the sun, the anointed head.
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