The Despairing Shepherd
Alexis shun'd his Fellow Swains,
Their rural Sports, and jocund Strains:
(Heav'n guard us all from Cupid's Bow!)
He lost his Crook, He left his Flocks;
And wand'ring thro' the lonely Rocks,
He nourish'd endless Woe.
The Nymphs and Shepherds round Him came:
His Grief Some pity, Others blame:
The fatal Cause All kindly seek.
He mingled his Concern with Their's:
He gave 'em back their friendly Tears:
He sigh'd, but would not speak.
Clorinda came among the rest:
And She too kind Concern exprest,
And ask'd the Reason of his Woe:
She ask'd, but with an Air and Mein,
That made it easily foreseen,
She fear'd too much to know.
The Shepherd rais'd his mournful Head:
And will You pardon Me, He said,
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poem by Matthew Prior
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Written At Paris, 1700. In The Beginning Of Robe's Geography
Of all that William rules, or robe
Describes, great Rhea, of thy globe,
When or on posthorse or in chaise,
With much expense and little ease,
My destin'd miles I shall have gone,
By Thames, or Maese, by Po, or Rhone,
And found no foot of earth my own;
Great Mother, let me once be able
To have a garden, house, and stable,
That I may read, and ride, and plant,
Superior to desire or want;
And as health fails, and years increase,
Sit down and think, and die in peace.
Oblige thy favourite undertakers
To throw me in but twenty acres;
This number sure they may allow,
For pasture ten, and ten for plough;
'Tis all that I would wish or hope,
For me, and John, and Nell, and Crop.
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poem by Matthew Prior
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Songs Set To Music: 4. Set By Mr. Smith
Come, weep no more, for 'tis in vain;
Torment not thus your pretty heart;
Think, Flavia, we may meet again,
As well as that we now must part.
You sigh and weep; the gods neglect
That precious dew your eyes let fall;
Our joy and grief with like respect
They mind, and that is not at all.
We pray, in hopes they will be kind,
As if they did regard our state;
They hear, and the return we find
Is, that no prayers can alter Fate.
Then clear your brow, and look more gay;
Do not yourself to grief resign;
Who knows but that those powers may
The pair they now have parted join?
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poem by Matthew Prior
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To a Child of Quality, Five Years Old, 1704. The Author then Forty
LORDS, knights, and squires, the numerous band
That wear the fair Miss Mary's fetters,
Were summoned by her high command
To show their passions by their letters.
My pen amongst the rest I took,
Lest those bright eyes, that cannot read,
Should dart their kindling fire, and look
The power they have to be obey'd.
Nor quality, nor reputation,
Forbid me yet my flame to tell;
Dear Five-years-old befriends my passion,
And I may write till she can spell.
For, while she makes her silkworms beds
With all the tender things I swear;
Whilst all the house my passion reads,
In papers round her baby's hair;
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poem by Matthew Prior
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To Chloe Jealous
Dear Chloe, how blubber'd is that pretty face;
Thy cheek all on fire, and thy hair all uncurl'd:
Prythee quit this caprice; and (as old Falstaff says)
Let us e'en talk a little like folks of this world.
How canst thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vext at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found wit:
Odds life! must one swear to the truth of a song?
What I speak, my fair Chloe, and what I write, shows
The diff'rence there is betwixt nature and art:
I court others in verse; but I love thee in prose:
And they have my whimsies, but thou hast my heart.
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poem by Matthew Prior
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A Better Answer
Dear Cloe, how blubber'd is that pretty Face?
Thy cheek all on fire, and thy hair all uncurl'd:
Pr'ythee quit this caprice; and (as old Falstaf says)
Let us e'en talk a little like folks of this world.
How can'st thou presume, thou hast leave to destroy
The beauties, which Venus but lent to thy keeping?
Those looks were design'd to inspire love and joy:
More ord'nary eyes may serve people for weeping.
To be vexed at a trifle or two that I writ,
Your judgment at once, and my passion you wrong:
You take that for fact, which will scarce be found Wit:
Od's Life! must one swear to the truth of a song?
What I speak, my fair Cloe, and what I write, shews
The diff'rence there is betwixt Nature and Art:
I court others in verse; but I love thee in prose:
And they have my whimsies; but thou hast my heart.
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poem by Matthew Prior
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To The Honourable Charles Montague, Esq.
Howe'er, 'tis well that, while mankind
Through fate's perverse meander errs,
He can imagined pleasures find
To combat against real cares.
Fancies and notions he pursues,
Which ne'er had being but in thought;
Each, like the Grecian artist, wooes,
The image he himself has wrought.
Against experience he believes;
He argues against demonstration:
Pleased when his reason he deceives,
And sets his judgement by his passion.
The hoary fool, who many days
Has struggled with continued sorrow,
Renew's his hope, and blindly lays
The desperate bet upon to-morrow.
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poem by Matthew Prior
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To Mr. Harley - Wounded by Guiscard
In one great
now
, superior to an age,
The full extremes of nature's force we find:
How heavenly virtue can exalt, or rage
Infernal how degrade the human mind.
While the fierce monk does at his trial stand,
He chews revenge, abjuring his offence:
Guile in his tongue, and murder in his hand,
He stabs his judge, to prove his innocence.
The guilty stroke and torture of the steel
Infix'd, our dauntless Briton scarce perceives:
The wounds his country from his death must feel,
The patriot views; for those alone he grieves.
The barbarous rage that durst attempt thy life,
Harley, great counsellor, extends thy fame;
And the sharp point of cruel Guiscard's knife,
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poem by Matthew Prior
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An Ode To Mr. Howard
Dear Howard, from the soft assaults of love
Poets and painters never are secure;
Can I untouch'd the fair one's passions move,
Or thou draw beauty, and not feel its power?
To great Appelles when young Ammon brought
The darling idol of his captive heart;
And the pleased nymph with kind attention sat,
To have her charms recorded by his art:
The amorous master own'd her potent eyes:
Sigh'd when he look'd, and trembled as he drew:
Each flowing line confirm'd his first surprise,
And, as the piece advanced, the passion grew.
While Philip's son, while Venus' son, was near,
What different tortures does his bosom feel?
Great was the rival, and the god severe:
Nor could he hide his flame, nor durst reveal.
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poem by Matthew Prior
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The Garland
The pride of every grove I chose,
The violet sweet and lily fair,
The dappled pink and blushing rose,
To deck my charming Cloe's hair.
At morn the nymph vouchsafed to place
Upon her brow the various wreath;
The flowers less blooming than her face,
The scent less fragrant than her breath.
The flowers she wore along the day,
And every nymph and shepherd said,
That in her hair they look'd more gay
Than glowing in their native bed.
Undress'd at evening, when she found
Their odours lost, their colours past,
She changed her look, and on the ground
Her garland and her eyes she cast.
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poem by Matthew Prior
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