An Epistle Containing the Strange Medical Experience of Karshish, the Arab Physician
Karshish, the picker-up of learning's crumbs,
The not-incurious in God's handiwork
(This man's-flesh he hath admirably made,
Blown like a bubble, kneaded like a paste,
To coop up and keep down on earth a space
That puff of vapor from his mouth, man's soul)
—To Abib, all-sagacious in our art,
Breeder in me of what poor skill I boast,
Like me inquisitive how pricks and cracks
Befall the flesh through too much stress and strain,
Whereby the wily vapor fain would slip
Back and rejoin its source before the term—
And aptest in contrivance (under God)
To baffle it by deftly stopping such—
The vagrant Scholar to his Sage at home
Sends greeting (health and knowledge, fame with peace)
Three samples of true snakestone—rarer still,
One of the other sort, the melon-shaped,
(But fitter, pounded fine, for charms than drugs)
And writeth now the twenty-second time.
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poem by Robert Browning from Men and Women (1855)
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An Epistle Containing the Strange Medical Experience of Kar
Karshish, the picker-up of learning's crumbs,
The not-incurious in God's handiwork
(This man's-flesh he hath admirably made,
Blown like a bubble, kneaded like a paste,
To coop up and keep down on earth a space
That puff of vapour from his mouth, man's soul)
--To Abib, all-sagacious in our art,
Breeder in me of what poor skill I boast,
Like me inquisitive how pricks and cracks
Befall the flesh through too much stress and strain,
Whereby the wily vapour fain would slip
Back and rejoin its source before the term,--
And aptest in contrivance (under God)
To baffle it by deftly stopping such:--
The vagrant Scholar to his Sage at home
Sends greeting (health and knowledge, fame with peace)
Three samples of true snakestone--rarer still,
One of the other sort, the melon-shaped,
(But fitter, pounded fine, for charms than drugs)
And writeth now the twenty-second time.
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poem by Robert Browning
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James Lee's Wife
I.—James Lee's Wife Speaks at the Window
I.
Ah, Love, but a day
And the world has changed!
The sun's away,
And the bird estranged;
The wind has dropped,
And the sky's deranged:
Summer has stopped.
II.
Look in my eyes!
Wilt thou change too?
Should I fear surprise?
Shall I find aught new
In the old and dear,
In the good and true,
With the changing year?
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poem by Robert Browning from Dramatis Personae (1864)
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Cleon
"As certain also of your own poets have said"—
[An imaginary person. The poet quoted by St. Paul was Aratus, a native of Tarsus.]
Cleon the poet (from the sprinkled isles,
Lily on lily, that o'erlace the sea,
And laugh their pride when the light wave lisps "Greece")—
To Protus in his Tyranny: much health!
They give thy letter to me, even now:
I read and seem as if I heard thee speak.
The master of thy galley still unlades
Gift after gift; they block my court at last
And pile themselves along its portico
Royal with sunset, like a thought of thee:
And one white she-slave from the group dispersed
Of black and white slaves (like the chequer-work
Pavement, at once my nation's work and gift,
Now covered with this settle-down of doves),
One lyric woman, in her crocus vest
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poem by Robert Browning from Men and Women (1855)
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Part V
It is the young man shatters silence first.
"Well, my lord—for indeed my lord you are,
I little guessed how rightly—this last proof
Of lordship-paramount confounds too much
My simple head-piece! Let's see how we stand
Each to the other! how we stood i' the game
Of life an hour ago,—the magpies, stile
And oak-tree witnessed. Truth exchanged for truth—
My lord confessed his four-years-old affair—
How he seduced and then forsook the girl
Who married somebody and left him sad.
My pitiful experience was—I loved
A girl whose gown's hem had I dared to touch
My finger would have failed me, palsy-fixed;
She left me, sad enough, to marry—whom?
A better man,—then possibly not you!
How does the game stand? Who is who and what
Is what, o' the board now, since an hour went by?
My lord's 'seduced, forsaken, sacrificed'—
Starts up, my lord's familiar instrument,
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poem by Robert Browning from The Inn Album (1875)
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Filippo Baldinucci on the Privilege of Burial
"No, boy, we must not"—so began
My Uncle (he's with God long since),
A-petting me, the good old man!
"We must not"—and he seemed to wince,
And lost that laugh whereto had grown
His chuckle at my piece of news,
How cleverly I aimed my stone—
"I fear we must not pelt the Jews!
"When I was young indeed,—ah, faith
Was young and strong in Florence too!
We Christians never dreamed of scathe
Because we cursed or kicked the crew.
But now, well, well! The olive-crops
Weighed double then, and Arno's pranks
Would always spare religious shops
Whenever he o'erflowed his banks!
"I'll tell you"—and his eye regained
Its twinkle—"tell you something choice!
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poem by Robert Browning from Pacchiarotto (1876)
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Part VII
She, face, form, bearing, one
Superb composure—
"He has told you all?
Yes, he has told you all, your silence says—
What gives him, as he thinks the mastery
Over my body and my soul!—has told
That instance, even, of their servitude
He now exacts of me? A silent blush!
That's well, though better would white ignorance
Beseem your brow, undesecrate before—
Ay, when I left you! I too learn at last
—Hideously learned as I seemed so late—
What sin may swell to. Yes,—I needed learn
That, when my prophet's rod became the snake
I fled from, it would, one day, swallow up
—Incorporate whatever serpentine
Falsehood and treason and unmanliness
Beslime earth's pavement: such the power of Hell,
And so beginning, ends no otherwise
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poem by Robert Browning from The Inn Album (1875)
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Fra Lippo Lippi
I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do—harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets off—he's a certain...how d'ye call?
Master—a...Cosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's gripe!
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poem by Robert Browning from Men and Women (1855)
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Part I
"That oblong book's the Album; hand it here!
Exactly! page on page of gratitude
For breakfast, dinner, supper, and the view!
I praise these poets: they leave margin-space;
Each stanza seems to gather skirts around,
And primly, trimly, keep the foot's confine,
Modest and maidlike; lubber prose o'er-sprawls
And straddling stops the path from left to right.
Since I want space to do my cipher-work,
Which poem spares a corner? What comes first?
'Hail, calm acclivity, salubrious spot!'
(Open the window, we burn daylight, boy!)
Or see—succincter beauty, brief and bold—
'If a fellow can dine On rumpsteaks and port wine,
He needs not despair Of dining well here—'
'Here!' I myself could find a better rhyme!
That bard's a Browning; he neglects the form:
But ah, the sense, ye gods, the weighty sense!
Still, I prefer this classic. Ay, throw wide!
I'll quench the bits of candle yet unburnt.
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poem by Robert Browning from The Inn Album (1875)
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Saul
I.
Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.
II.
``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''
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poem by Robert Browning
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