"Transcendentalism: A Poem in Twelve Books"
Stop playing, poet! May a brother speak?
'T is you speak, that's your error. Song's our art:
Whereas you please to speak these naked thoughts
Instead of draping them in sights and sounds.
—True thoughts, good thoughts, thoughts fit to treasure up!
But why such long prolusion and display,
Such turning and adjustment of the harp,
And taking it upon your breast, at length,
Only to speak dry words across its strings?
Stark-naked thought is in request enough:
Speak prose and hollo it till Europe hears!
The six-foot Swiss tube, braced about with bark,
Which helps the hunter's voice from Alp to Alp—
Exchange our harp for that,—who hinders you?
But here's your fault; grown men want thought, you think;
Thought's what they mean by verse, and seek in verse.
Boys seek for images and melody,
Men must have reason—so, you aim at men.
Quite otherwise! Objects throng our youth, 't is true;
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poem by Robert Browning from Men and Women (1855)
Added by Veronica Serbanoiu
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Apparent Failure
'We shall soon lose a celebrated building.'
--_Paris Newspaper_.
No, for I'll save it! Seven years since
I passed through Paris, stopped a day
To see the baptism of your Prince,
Saw, made my bow, and went my way:
Walking the heat and headache off,
I took the Seine-side, you surmise,
Thought of the Congress, Gortschakoff,
Cavour's appeal and Buol's replies,
So sauntered till--what met my eyes?
Only the Doric little Morgue!
The dead-house where you show your drowned:
Petrarch's Vaucluse makes proud the Sorgue,
Your Morgue has made the Seine renowned.
One pays one's debt in such a case;
I plucked up heart and entered,--stalked,
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poem by Robert Browning
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Instans Tyrannus
I
Of the million or two, more or less
I rule and possess,
One man, for some cause undefined,
Was least to my mind.
II
I struck him, he grovelled of course--
For, what was his force?
I pinned him to earth with my weight
And persistence of hate:
And he lay, would not moan, would not curse,
As his lot might be worse.
III
"Were the object less mean, would he stand
At the swing of my hand!
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poem by Robert Browning from Men and Women (1855)
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The Laboratory
Now that I, tying thy glass mask tightly,
May gaze thro’ these faint smokes curling whitely,
As thou pliest thy trade in this devil’s-smithy—
Which is the poison to poison her, prithee?
He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.
Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
Better sit thus and observe thy strange things,
Than go where men wait me and dance at the King’s.
That in the mortar—you call it a gum?
Ah, the brave tree whence such gold oozings come!
And yonder soft phial, the exquisite blue,
Sure to taste sweetly,—is that poison too?
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poem by Robert Browning
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Cristina
I
She should never have looked at me
If she meant I should not love her!
There are plenty...men, you call such,
I suppose...she may discover
All her soul to, if she pleases,
And yet leave much as she found them:
But I'm not so, and she knew it
When she fixed me, glancing round them.
II
What? To fix me thus meant nothing?
But I can't tell (there's my weakness)
What her look said!—no vile cant, sure,
About "need to strew the bleakness
Of some lone shore with its pearl-seed
That the sea feels"—no "strange yearning
That such souls have, most to lavish
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poem by Robert Browning from Cavalier Tunes (1842)
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Time's Revenges
I've a Friend, over the sea;
I like him, but he loves me.
It all grew out of the books I write;
They find such favour in his sight
That he slaughters you with savage looks
Because you don't admire my books.
He does himself though,--and if some vein
Were to snap tonight in this heavy brain,
To-morrow month, if I lived to try,
Round should I just turn quietly,
Or out of the bedclothes stretch my hand
Till I found him, come from his foreign land
To be my nurse in this poor place,
And make my broth and wash my face
And light my fire and, all the while,
Bear with his old good-humoured smile
That I told him "Better have kept away
Than come and kill me, night and day,
With, worse than fever throbs and shoots,
The creaking of his clumsy boots."
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poem by Robert Browning from Dramatic Romances and Lyrics (1845)
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The Laboratory
Ancien Régime
I
Now that I, tying thy glass mask tightly,
May gaze thro' these faint smokes curling whitely,
As thou pliest thy trade in this devil's-smithy—
Which is the poison to poison her, prithee?
II
He is with her, and they know that I know
Where they are, what they do: they believe my tears flow
While they laugh, laugh at me, at me fled to the drear
Empty church, to pray God in, for them!—I am here.
III
Grind away, moisten and mash up thy paste,
Pound at thy powder,—I am not in haste!
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poem by Robert Browning from Dramatic Romances and Lyrics (1845)
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Youth and Art
1 It once might have been, once only:
2 We lodged in a street together,
3 You, a sparrow on the housetop lonely,
4 I, a lone she-bird of his feather.
5 Your trade was with sticks and clay,
6 You thumbed, thrust, patted and polished,
7 Then laughed 'They will see some day
8 Smith made, and Gibson demolished.'
9 My business was song, song, song;
10 I chirped, cheeped, trilled and twittered,
11 'Kate Brown's on the boards ere long,
12 And Grisi's existence embittered!'
13 I earned no more by a warble
14 Than you by a sketch in plaster;
15 You wanted a piece of marble,
16 I needed a music-master.
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poem by Robert Browning
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Popularity
I
Stand still, true poet that you are!
I know you; let me try and draw you.
Some night you'll fail us: when afar
You rise, remember one man saw you,
Knew you, and named a star!
II
My star, God's glow-worm! Why extend
That loving hand of his which leads you,
Yet locks you safe from end to end
Of this dark world, unless he needs you,
Just saves your light to spend?
III
His clenched hand shall unclose at last,
I know, and let out all the beauty:
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poem by Robert Browning from Men and Women (1855)
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My Last Duchess
Ferrara
That's my last Duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
'Frà Pandolf' by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say 'Her mantle laps
Over my lady's wrist too much,' or, 'Paint
Must never hope to reproduce the faint
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poem by Robert Browning from Cavalier Tunes (1842)
Added by Veronica Serbanoiu
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