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Robert William Service

The Sewing-Girl

The humble garret where I dwell
Is in that Quarter called the Latin;
It isn't spacious -- truth to tell,
There's hardly room to swing a cat in.
But what of that! It's there I fight
For food and fame, my Muse inviting,
And all the day and half the night
You'll find me writing, writing, writing.

Now, it was in the month of May
As, wrestling with a rhyme rheumatic,
I chanced to look across the way,
And lo! within a neighbor attic,
A hand drew back the window shade,
And there, a picture glad and glowing,
I saw a sweet and slender maid,
And she was sewing, sewing, sewing.

So poor the room, so small, so scant,
Yet somehow oh, so bright and airy.

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The Three Tommies

That Barret, the painter of pictures, what feeling for color he had!
And Fanning, the maker of music, such melodies mirthful and mad!
And Harley, the writer of stories, so whimsical, tender and glad!

To hark to their talk in the trenches, high heart unfolding to heart,
Of the day when the war would be over, and each would be true to his part,
Upbuilding a Palace of Beauty to the wonder and glory of Art . . .

Yon's Barret, the painter of pictures, yon carcass that rots on the wire;
His hand with its sensitive cunning is crisped to a cinder with fire;
His eyes with their magical vision are bubbles of glutinous mire.

Poor Fanning! He sought to discover the symphonic note of a shell;
There are bits of him broken and bloody, to show you the place where he fell;
I've reason to fear on his exquisite ear the rats have been banqueting well.

And speaking of Harley, the writer, I fancy I looked on him last,
Sprawling and staring and writhing in the roar of the battle blast;
Then a mad gun-team crashed over, and scattered his brains as it passed.

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Moon-Lover

I

The Moon is like a ping-pong ball;
I lean against the orchard wall,
And see it soar into the void,
A silky sphere of celluloid.

Then fairy fire enkindles it,
Like gossamer by taper lit,
Until it glows above the trees
As mellow as a Cheddar cheese.

And up and up I watch it press
Into appalling loneliness;
Like realms of ice without a stain,
A corpse Moon come to life again.

Ruthless it drowns a sturdy star
That seeks its regal way to bar;
Seeming with conscious power to grow,

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Was It You?

"Hullo, young Jones! with your tie so gay
And your pen behind your ear;
Will you mark my cheque in the usual way?
For I'm overdrawn, I fear."
Then you look at me in a manner bland,
As you turn your ledger's leaves,
And you hand it back with a soft white hand,
And the air of a man who grieves. . . .

"Was it you, young Jones, was it you I saw
(And I think I see you yet)
With a live bomb gripped in your grimy paw
And your face to the parapet?
With your lips asnarl and your eyes gone mad
With a fury that thrilled you through. . . .
Oh, I look at you now and I think, my lad,
Was it you, young Jones, was it you?

"Hullo, young Smith, with your well-fed look
And your coat of dapper fit,

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Tipperary Days

Oh, weren't they the fine boys! You never saw the beat of them,
Singing all together with their throats bronze-bare;
Fighting-fit and mirth-mad, music in the feet of them,
Swinging on to glory and the wrath out there.
Laughing by and chaffing by, frolic in the smiles of them,
On the road, the white road, all the afternoon;
Strangers in a strange land, miles and miles and miles of them,
Battle-bound and heart-high, and singing this tune:

It's a long way to Tipperary,
It's a long way to go;
It's a long way to Tipperary,
And the sweetest girl I know.
Good-bye, Piccadilly,
Farewell, Lester Square:
It's a long, long way to Tipperary,
But my heart's right there.

"Come, Yvonne and Juliette! Come, Mimi, and cheer for them!
Throw them flowers and kisses as they pass you by.

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Wrestling Match

What guts he had, the Dago lad
Who fought that Frenchman grim with guile;
For nigh an hour they milled like mad,
And mauled the mat in rare old style.
Then up and launched like catapults,
And tangled, twisted, clinched and clung,
Then tossed in savage somersaults,
And hacked and hammered, ducked and swung;
And groaned and grunted, sighed and cried,
Now knotted tight, now springing free;
To bend each other's bones they tried,
Their faces crisped in agony. . . .

Then as a rage rose, with tiger-bound,
They clashed and smashed, and flailed and flung,
And tripped and slipped, with hammer-pound,
And streamin sweat and straining lung,
The mighty mob roared out their joy,
And wild I heard a wench near-by
Shriek to the Frenchman: "Atta Boy!

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Men Of The High North

Men of the High North, the wild sky is blazing;
Islands of opal float on silver seas;
Swift splendors kindle, barbaric, amazing;
Pale ports of amber, golden argosies.
Ringed all around us the proud peaks are glowing;
Fierce chiefs in council, their wigwam the sky;
Far, far below us the big Yukon flowing,
Like threaded quicksilver, gleams to the eye.

Men of the High North, you who have known it;
You in whose hearts its splendors have abode;
Can you renounce it, can you disown it?
Can you forget it, its glory and its goad?
Where is the hardship, where is the pain of it?
Lost in the limbo of things you've forgot;
Only remain the guerdon and gain of it;
Zest of the foray, and God, how you fought!

You who have made good, you foreign faring;
You money magic to far lands has whirled;

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Dolls

She said: "I am too old to play
With dolls," and put them all away,
Into a box, one rainy day.

I think she must have felt some pain,
She looked so long into the rain,
Then sighed: "I'll bring you out again;

"For I'll have little children too,
With sunny hair and eyes of blue
And they will play and play with you.

"And now good-bye, my pretty dears;
There in the dark for years and years,
Dream of your little mother's tears."

Eglantine, Pierrot and Marie Claire,
Topsy and Tiny and Teddy Bear,
Side by side in the coffer there.

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Michael

"There's something in your face, Michael, I've seen it all the day;
There's something quare that wasn't there when first ye wint away. . . ."

"It's just the Army life, mother, the drill, the left and right,
That puts the stiffinin' in yer spine and locks yer jaw up tight. . . ."

"There's something in your eyes, Michael, an' how they stare and stare --
You're lookin' at me now, me boy, as if I wasn't there. . . ."

"It's just the things I've seen, mother, the sights that come and come,
A bit o' broken, bloody pulp that used to be a chum. . . ."

"There's something on your heart, Michael, that makes ye wake at night,
And often when I hear ye moan, I trimble in me fright. . . ."

"It's just a man I killed, mother, a mother's son like me;
It seems he's always hauntin' me, he'll never let me be. . . ."

"But maybe he was bad, Michael, maybe it was right
To kill the inimy you hate in fair and honest fight. . . ."

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The Rhyme Of The Remittance Man

There's a four-pronged buck a-swinging in the shadow of my cabin,
And it roamed the velvet valley till to-day;
But I tracked it by the river, and I trailed it in the cover,
And I killed it on the mountain miles away.
Now I've had my lazy supper, and the level sun is gleaming
On the water where the silver salmon play;
And I light my little corn-cob, and I linger, softly dreaming,
In the twilight, of a land that's far away.

Far away, so faint and far, is flaming London, fevered Paris,
That I fancy I have gained another star;
Far away the din and hurry, far away the sin and worry,
Far away -- God knows they cannot be too far.
Gilded galley-slaves of Mammon -- how my purse-proud brothers taunt me!
I might have been as well-to-do as they
Had I clutched like them my chances, learned their wisdom, crushed my fancies,
Starved my soul and gone to business every day.

Well, the cherry bends with blossom and the vivid grass is springing,
And the star-like lily nestles in the green;

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