Limbo

The sole true Something--This ! In Limbo Den
It frightens Ghosts as Ghosts here frighten men--
For skimming in the wake it mock'd the care
Of the old Boat-God for his Farthing Fare ;
Tho' Irus' Ghost itself he ne'er frown'd blacker on,
The skin and skin-pent Druggist crost the Acheron,
Styx, and with Puriphlegethon Cocytus,--
(The very names, methinks, might thither fright us--)
Unchang'd it cross'd--& shall some fated Hour
Be pulveris'd by Demogorgon's power
And given as poison to annilate Souls--
Even now It shrinks them ! they shrink in as Moles
(Nature's mute Monks, live Mandrakes of the ground)
Creep back from Light--then listen for its Sound ;--
See but to dread, and dread they know not why--
The natural Alien of their negative Eye.

'Tis a strange place, this Limbo !--not a Place,
Yet name it so ;--where Time & weary Space
Fettered from flight, with night-mair sense of fleeing,

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poem by Samuel Taylor Coleridge
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Kubla Khan

In Xanadu did Kubla Khan
A stately pleasure-dome decree :
Where Alph, the sacred river, ran
Through caverns measureless to man
Down to a sunless sea.
So twice five miles of fertile ground
With walls and towers were girdled round :
And there were gardens bright with sinuous rills,
Where blossomed many an incense-bearing tree ;
And here were forests ancient as the hills,
Enfolding sunny spots of greenery.

But oh ! that deep romantic chasm which slanted
Down the green hill athwart a cedarn cover !
A savage place ! as holy and enchanted
As e'er beneath a waning moon was haunted
By woman wailing for her demon-lover !
And from this chasm, with ceaseless turmoil seething,
As if this earth in fast thick pants were breathing,
A mighty fountain momently was forced :

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poem by Samuel Taylor Coleridge
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The Ballad Of The Dark Ladie. A Fragment.

Beneath yon birch with silver bark,
And boughs so pendulous and fair,
The brook falls scatter'd down the rock:
And all is mossy there!

And there upon the moss she sits,
The Dark Ladie in silent pain;
The heavy tear is in her eye,
And drops and swells again.

Three times she sends her little page
Up the castled mountain's breast,
If he might find the Knight that wears
The Griffin for his crest.

The sun was sloping down the sky,
And she had linger'd there all day,
Counting moments, dreaming fears--
Oh wherefore can he stay?

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poem by Samuel Taylor Coleridge
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In The Manner Of Spenser

O peace, that on a lilied bank dost love
To rest thine head beneath an olive tree,
I would that from the pinions of thy dove
One quill withouten pain yplucked might be!
For oh! I wish my Sara's frowns to flee,
And faint to her some soothing song would write,
Lest she resent my rude discourtesy,
Who vowed to meet her ere the morning light,
But broke my plighted word -- ah! false and recreant wight.

Last night as I my weary head did pillow
With thoughts of my dissevered fair engrossed,
Chill fancy drooped, wreathing herself with willow,
As tho' my breast entombed a pining ghost.
'From some blest couch, young rapture's bridal boast,
Rejected slumber! hither wing thy way;
But leave me with the matin hour, at most!'
As night-closed floweret to the orient ray,
My sad heart will expand, when I the maid survey.

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poem by Samuel Taylor Coleridge
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The Two Founts. Stanzas Addressed To A Lady On Her Recovery, With Unblemished Looks, From A Severe Attack of Pain

'Twas my last waking thought, how it could be,
That thou, sweet friend, such anguish should'st endure
When straight from Dreamland came a dwarf, and he
Could tell the cause, forsooth, and knew the cure.

Methought he fronted me with peering look
Fixed on my heart; and read aloud in game
The loves and griefs therein, as from a book;
And uttered praise like one who wished to blame.

In every heart (quoth he) since Adam's sin
Two Founts there are, of Suffering and of Cheer!
That to let forth, and this to keep within!
But she, whose aspect I find imaged here,

Of Pleasure only will to all dispense,
That Fount alone unlock, by no distress
Choked or turned inward; but still issue thence
Unconquered cheer, persistent loveliness.

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poem by Samuel Taylor Coleridge
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Lines On A Friend, Who Died Of A Frenzy Fever, Induced By Calumnious Reports

Edmund! thy grave with aching eye I scan,
And inly groan for heaven's poor outcast, man!
'Tis tempest all or gloom: in early youth,
If gifted with the Ithuriel lance of truth,
We force to start amid her feigned caress
Vice, siren-hag! in native ugliness,
A brother's fate will haply rouse the tear:
Onward we move in heaviness and fear!
But if our fond hearts call to pleasure's bower
Some pigmy folly in a careless hour,
The faithless guest shall stamp th' enchanted ground
And mingled forms of mis'ry rise around:
Heart-fretting fear, with pallid look aghast,
That courts the future woe to hide the past;
Remorse, the poisoned arrow in his side;
And loud lewd mirth, to anguish close allied:
Till frenzy, fierce-eyed child of moping pain,
Darts her hot lightning flash athwart the brain.

Rest, injured shade! Shall slander squatting near

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poem by Samuel Taylor Coleridge
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The Garden Of Boccaccio

[exerpt]
Of late, in one of those most weary hours,
When life seems emptied of all genial powers,
A dready mood, which he who ne'er has known
May bless his happy lot, I sate alone ;
And, from the numbing spell to win relief,
Call'd on the Past for thought of glee or grief.
In vain ! bereft alike of grief and glee,
I sate and cow'r'd o'er my own vacancy !
And as I watch'd the dull continuous ache,
Which, all else slumb'ring, seem'd alone to wake ;
O Friend ! long wont to notice yet conceal,
And soothe by silence what words cannot heal,
I but half saw that quiet hand of thine
Place on my desk this exquisite design.
Boccaccio's Garden and its faery,
The love, the joyaunce, and the gallantry !
An Idyll, with Boccaccio's spirit warm,
Framed in the silent poesy of form.

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poem by Samuel Taylor Coleridge
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The Blossoming Of The Solitary Date-Tree. A Lament

I.
Beneath the blaze of a tropical sun the mountain peaks are the Thrones of Frost, through the absence of objects to reflect the rays. 'What no one with us shares, seems scarce our own.' The presence of a ONE,

The best belov'd, who loveth me the best,

is for the heart, what the supporting air from within is for the hollow globe with its suspended car. Deprive it of this, and all without, that would have buoyed it aloft even to the seat of the gods, becomes a burthen and crushes it into flatness.

II.
The finer the sense for the beautiful and the lovely, and the fairer and lovelier the object presented to the sense; the more exquisite the individual's capacity of joy, and the more ample his means and opportunities of enjoyment, the more heavily will he feel the ache of solitariness, the more unsubstantial becomes the feast spread around him. What matters it, whether in fact the viands and the ministering graces are shadowy or real, to him who has not hand to grasp nor arms to embrace them?

III.
Hope, Imagination, honourable Aims,
Free Commune with the choir that cannot die,
Science and Song, delight in little things,
The buoyant child surviving in the man;
Fields, forests, ancient mountains, ocean, sky,
With all their voices--O dare I accuse
My earthly lot as guilty of my spleen,
Or call my destiny niggard! O no! no!
It is her largeness, and her overflow,

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poem by Samuel Taylor Coleridge
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The Blossing Of The Solitary Date-Tree

Beneath the blaze of a tropical sun the mountain peaks are the Thrones of
Frost, through the absence of objects to reflect the rays. `What no one
with us shares, seems scarce our own.' The presence of a ONE,

The best belov'd, who loveth me the best,

is for the heart, what the supporting air from within is for the hollow
globe with its suspended car. Deprive it of this, and all without, that
would have buoyed it aloft even to the seat of the gods, becomes a burthen
and crushes it into flatness.

II

The finer the sense for the beautiful and the lovely, and the fairer and
lovelier the object presented to the sense ; the more exquisite the
individual's capacity of joy, and the more ample his means and
opportunities of enjoyment, the more heavily will he feel the ache of
solitariness, the more unsubstantial becomes the feast spread around him.
What matters it, whether in fact the viands and the ministering graces are
shadowy or real, to him who has not hand to grasp nor arms to embrace them

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poem by Samuel Taylor Coleridge
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Blossing Of The Solitary Date-Tree, The

Beneath the blaze of a tropical sun the mountain peaks are the Thrones of
Frost, through the absence of objects to reflect the rays. `What no one
with us shares, seems scarce our own.' The presence of a ONE,

The best belov'd, who loveth me the best,

is for the heart, what the supporting air from within is for the hollow
globe with its suspended car. Deprive it of this, and all without, that
would have buoyed it aloft even to the seat of the gods, becomes a burthen
and crushes it into flatness.

II

The finer the sense for the beautiful and the lovely, and the fairer and
lovelier the object presented to the sense ; the more exquisite the
individual's capacity of joy, and the more ample his means and
opportunities of enjoyment, the more heavily will he feel the ache of
solitariness, the more unsubstantial becomes the feast spread around him.
What matters it, whether in fact the viands and the ministering graces are
shadowy or real, to him who has not hand to grasp nor arms to embrace them

[...] Read more

poem by Samuel Taylor Coleridge
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