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Sharon Olds

The Space Heater

On the then-below-zero day, it was on,
near the patients' chair, the old heater
kept by the analyst's couch, at the end,
like the infant's headstone that was added near the foot
of my father's grave. And it was hot, with the almost
laughing satire of a fire's heat,
the little coils like hairs in Hell.
And it was making a group of sick noises-
I wanted the doctor to turn it off
but I couldn't seem to ask, so I just
stared, but it did not budge. The doctor
turned his heavy, soft palm
outward, toward me, inviting me to speak, I
said, "If you're cold-are you cold? But if it's on
for me..." He held his palm out toward me,
I tried to ask, but I only muttered,
but he said, "Of course," as if I had asked,
and he stood up and approached the heater, and then
stood on one foot, and threw himself
toward the wall with one hand, and with the other hand

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One Year

When I got to his marker, I sat on it,
like sitting on the edge of someone's bed
and I rubbed the smooth, speckled granite.
I took some tears from my jaw and neck
and started to wash a corner of his stone.
Then a black and amber ant
ran out onto the granite, and off it,
and another ant hauled a dead
ant onto the stone, leaving it, and not coming back.
Ants ran down into the grooves of his name
and dates, down into the oval track of the
first name's O, middle name's O,
the short O of his last name,
and down into the hyphen between
his birth and death--little trough of his life.
Soft bugs appeared on my shoes,
like grains of pollen, I let them move on me,
I rinsed a dark fleck of mica,
and down inside the engraved letters
the first dots of lichen were appearing

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The Mortal One

Three months after he lies dead, that
long yellow narrow body,
not like Christ but like one of his saints,
the naked ones in the paintings whose bodies are
done in gilt, all knees and raw ribs,
the ones who died of nettles, bile, the
one who died roasted over a slow fire—
three months later I take the pot of
tulip bulbs out of the closet
and set it on the table and take off the foil hood.
The shoots stand up like young green pencils,
and there in the room is the comfortable smell of rot,
the bulb that did not make it, marked with
ridges like an elephant's notched foot,
I walk down the hall as if I were moving through the
long stem of the tulip toward the closed sheath.
In the kitchen I throw a palmful of peppercorns into the
saucepan
as if I would grow a black tree from the soup,
I throw out the rotten chicken part,

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The Sash

The first ones were attached to my dress
at the waist, one on either side,
right at the point where hands could clasp you and
pick you up, as if you were a hot
squeeze bottle of tree syrup, and the
sashes that emerged like axil buds from the
angles of the waist were used to play horses, that
racing across the cement while someone
held your reins and you could feel your flesh
itself in your body wildly streaming.
You would come home, a torn-off sash
dangling from either hand, a snake-charmer—
each time, she sewed them back on with
thicker thread, until the seams of
sash and dress bulged like little
knots of gristle at your waist as you walked, you could
feel them like thumbs pressing into your body.
The next sash was the one Thee, Hannah!
borrowed from her be-ribboned friend
and hid in a drawer and got salve on it,

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