Spring Night in the Imperial Chancellery
Evening falls on palace walls shaded by flowering trees, with cry of birds
flying past on their way to roost. The stars quiver as they look down on the
myriad doors of the palace, and the moon's light increases as she moves into
the ninefold sky. Unable to sleep, I seem to hear the sound of the bronze-clad
doors opening for the audience, or imagine the sound of bridle-bells bourne
upon the wind. Having a sealed memorial to submit at tomorrow's levee, I make
frequent inquiries about the progress of the night.
To the Recluse, Wei Pa
Often in this life of ours we resemble, in our failure to meet, the Shen and
Shang constellations, one of which rises as the other one sets. What lucky
chance is it, then, that brings us together this evening under the light of
this same lamp? Youth and vigor last but a little time. --- Each of us now has
greying temples. Half of the friends we ask each other about are dead, and our
shocked cries sear the heart. Who could have guessed that it would be twenty
years before I sat once more beneath your roof? Last time we parted you were
still unmarried, but now here suddenly is a row of boys and girls who
smilingly pay their respects to their father's old friend. They ask me where I
have come from; but before I have finished dealing with their questions, the
children are hurried off to fetch us wine. Spring chives are cut in the rainy
dark, and there is freshly steamed rice mixed with yellow millet. `Come, we
don't meet often!' you hospitably urge, pouring out ten cupfuls in rapid
succession. That I am still not drunk after ten cups of wine is due to the
strength of the emotion which your unchanging friendship inspires. Tomorrow
the peak will lie between us, and each will be lost to the other, swallowed up
in the world's affairs.
By the Lake
The old fellow from Shao-ling weeps with stifled sobs as he walks furtively by the bends of the Sepentine on a day in spring. In
the waterside palaces the thousands of doors are locked. For whom have the willows and rushed put on their fresh greenery?
I remember how formerly, when the Emperor's rainbow banner made its way into the South Park, everything in the park
seemed to bloom with a brighter color. The First Lady of the Chao-yang Palace rode in the same carriage as her lord in
attendance at his side, while before the carriage rode maids of honor equipped with bows and arrows, their white horses
champing at golden bits. Leaning back, face skywards, they shot into the clouds; and the Lady laughed gaily when a bird fell to
the ground transfixed by a well-aimed arrow. Where are the bright eyes and the flashing smile now? Tainted with
blood-pollution, her wandering soul cannot make its way back. The clear waters of the Wei flow eastwards, and Chien-ko is
far away: between the one who has gone and the one who remains no communication is possible. It is human to have feelings
and shed tears for such things; but the grasses and flowers of the lakeside go on for ever, unmoved. As evening falls, the city is
full of the dust of foreign horseman. My way is towards the South City, but my gaze turns northward.
Alone, Looking for Blossoms Along the River
The sorrow of riverside blossoms inexplicable,
And nowhere to complain -- I've gone half crazy.
I look up our southern neighbor. But my friend in wine
Gone ten days drinking. I find only an empty bed.
A thick frenzy of blossoms shrouding the riverside,
I stroll, listing dangerously, in full fear of spring.
Poems, wine -- even this profusely driven, I endure.
Arrangements for this old, white-haired man can wait.
A deep river, two or three houses in bamboo quiet,
And such goings on: red blossoms glaring with white!
Among spring's vociferous glories, I too have my place:
With a lovely wine, bidding life's affairs bon voyage.
Looking east to Shao, its smoke filled with blossoms,
I admire that stately Po-hua wineshop even more.
To empty golden wine cups, calling such beautiful
Dancing girls to embroidered mats -- who could bear it?
[...] Read more
Dreaming of Li Po
After the separation of death one can eventually swallow back one's grief, but
the separation of the living is an endless, unappeasable anxiety. From
pestilent Chiang-nan no news arrives of the poor exile. That my old friend
should come into my dream shows how constantly he is in my thoughts. I fear
that this is not the soul of a living man: the journey is so immeasurably far.
When your soul left, the maple woods were green: on its return the passes were
black with night. Lying now enmeshed in the net of the law, how did you find
wings with which to fly here? The light of the sinking moon illumines every
beam and rafter of my chamber, and I half expect it to light up your face. The
water is deep, the waves are wide: don't let the water-dragons get you.
All day long the floating clouds drift by, and still the wanderer has not
arrived! For three nights running I have repeatedly dreamed of you. Such
affectionate concern on your part shows your feelings for me! Each time you
said goodbye you seemed so uneasy. `It isn't easy to come', you would say
bitterly; `The waters are so rough. I am afriad the boat will capsize!' Going
out of my door you scratched your white head as if your whole life's ambition
had been frustrated.
The Capital is full of new officials, yet a man like this is so wretched!
Who is going to tell me that the `net is wide' when this ageing man
[...] Read more
Ballad of the Old Cypress
In front of the temple of Chu-ko Liang there is an old cypress. Its branches
are like green bronze; its roots like rocks; around its great girth of forty
spans its rimy bark withstands the washing of the rain. Its jet-colored top
rises two thousand feet to greet the sky. Prince and statesman have long since
paid their debt to time; but the tree continues to be cherished among men. When
the clouds come, continuous vapors link it with the mists of the long Wu
Gorge; and when the moon appears, the cypress tree shares the chill of the
Snowy Mountains' whiteness.
I remember a year or so ago, where the road wound east round my Brocade
River pavilion, the First Ruler and Chu-ko Liang shared the same shrine. There,
too, were towering cypresses, on the ancient plain outside the city. The paint-
work of the temple's dark interior gleamed dully through derelict doors and
windows. But this cypress here, though it holds its ground well, clinging with
wide-encompassing, snake-like hold, yet, because of its lonely height rising
into the gloom of the sky, meets much of the wind's fierce blast. Nothing but
the power of Divine Providence could have kept it standing for so long; its
straightness must be the work of the Creator himself! If a great hall had
collapsed and beams for it were needed, ten thousand oxen might turn their
heads inquiringly to look at such a mountain of a load. But it is already
marvel enough to astonish the world, without any need to undergo a craftsman's
[...] Read more
Ballad of the Army Carts
The carts squeak and trundle, the horses whinny, the conscripts go by, each
with a bow and arrows at his waist. Their fathers, mothers, wives, and children
run along beside them to see them off. The Hsien-yang Bridge cannot be seen for
dust. They pluck at the men's clothes, stamp their feet, or stand in the way
weeping. The sound of their weeping seems to mount up to the blue sky above. A
passer-by questions the conscripts, and the conscripts reply:
``They're always mobilizing now! There are some of us who went north at
fifteen to garrison the River and who are still, at forty, being sent to the
Military Settlements in the west. When we left as lads, the village headman had
to tie our head-cloths for us. We came back white-haired, but still we have to
go back for frontier duty! On those frontier posts enough blood has flowed to
fill the sea; but the Martial Emperor's dreams of expansion remain unsatisfied.
Haven't you heard, sir, in our land of Han, throughout the two hundred
prefectures east of the mountains briers and brambles are growing in thousands
of little hamlets; and though many a sturdy wife turns her own hand at the
hoeing and ploughing, the crops grow just anywhere, and you can't see where one
field ends and the next begins? And it's even worse for the men from Ch'in.
Because they make such good fighters, they are driven about this way and that
like so many dogs or chickens.
``Though you are good enough to ask us, sir, it's not for the likes of
[...] Read more
On Seeing a Pupil of Kung-sun Dance the Chien-ch`i
On the nineteenth day of the tenth month of the second year of Ta-li (15 November 767), in the residence of
Yuan Ch`ih, Lieutenant-Governor of K`uei-chou, I saw Li Shih-er-niang of Lin-ying dance the chien-ch`i.
Impressed by the brilliance and thrust of her style, I asked her whom she had studied under. ``I am a pupil of
Kung-sun'', was the reply.
I remember in the fifth year of K`ai-yuan (717) when I was still a little lad seeing Kung-sun dance the chien-ch`i
and the hun-t`o at Yen-ch`eng. For purity of technique and self-confident attack she was unrivalled in her day.
From the ``royal command performers'' and the ``insiders'' of the Spring Garden and Pear Garden schools in the
palace down to the ``official call'' dancers outside, there was no one during the early years of His Sagely Pacific
and Divinely Martial Majesty who understood this dance as she did. Where now is that lovely figure in its
gorgeous costume? Now even I am an old, white-haired man; and this pupil of hers is well past her prime.
Having found out about the pupil's antecedents, I now realized that what I had been watching was a faithful
reproduction of the great dancer's interpretation. The train of reflections set off by this discovery so moved me
that I felt inspired to compose a ballad on the chien-ch`i.
Some years ago, Chang Hsu, the great master of the ``grass writing'' style of calligraphy, having several times
seeen Kung-sun dance the West River chien-ch`i at Yeh-hsein, afterwards discovered, to his immense
gratification, that his calligraphy had greatly improved. This gives one some idea of the sort of person Kung-sun
was.
[...] Read more