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Ada Cambridge

Nightfall In The Fens

1.

One hour ago the red- hot sun below the bright horizon sank.
The long midsummer day is done. Our boat is moored beneath the bank.
The glory of the crimson west dies slowly on the river's breast.

2.

The water- violet shuts its eye; the water- lily petals close;
So in the evening light we lie and dream in undisturbed repose.
How far all petty cares have flown! How calm the fretful world has grown!

3.

We only hear the gentle breeze, in soft, delicious whispers, pass
Through osier beds and alder trees, and rustling flags and bending grass;

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The Last Battle of the Cid

Low he lay upon his dying couch, the knight without a stain,
The unconquered Cid Campeadór, the bright breast-plate of Spain,
The incarnate honour of Castille, of Aragon and Navarre,
Very crown of Spanish chivalry, Rodrigo of Bivar!

Sick he lay, and grieved in spirit, for that Paynim dogs should dare
Camp around his knightly citadel, Valencia the fair!
For that he no more should face them, in his beauteous armour dight,
To whom God and Santiago aye gave victory in the fight.

Faintly rising o'er the ramparts came the murmur of the siege,
And he could but pray for Christendom, his country and his liege;
For his well-belovèd city, granite-girdled, pennon-starred,
And the royal wealth of treasure that its stately portals barred.

“Santiago, at whose altar I did watch mine armour bright,
And was girt with golden spur and brand, a consecrated knight!—
Santiago, by my vow redeemed at Compostela's shrine,
Let the Paynim life-blood only touch these blessed walls of mine!

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At Liberty

1.

No sight to me like sight of ships.
No wine to me like salt- spray thrown
By morning breezes on my lips;
No music sweeter than the moan
Of solemn surges landward blown.
O world unconquered! O great sea,
Tamed by celestial winds alone!
My spirit is at home with thee,
Panting with thy wild waves for space and liberty.

2.

The land is captive, sold, and bought;
The streets are filled with traffic base;
And I am choked with narrow thought —
The dusty customs that disgrace

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The Kind Word

Speak kindly, wife; the little ones will grow
Fairest and straightest in the warmest sun.
We talk so often of the seed we sow;
But, maybe, when we think our labour done,
And when we look to gather in the grain,
We'll find these stones, we fling about, again
Strewing the fruitless sod,
Having crush'd down and stunted the sweet life
That bore the likeness of the life of God.
All your hard words of bitterness and strife
Will lie upon their love, as stones would lie;
You think to pick them up, but, by-and-by,
You'll find where they have lain
By the poor, meagre, crooked ears of grain.
You will be sorry then.
Speak kindly, wife; you know not half the wealth
Kind words bring in. Ah! I remember when
I was a little lad, all youth and health,
How I went wrong for want of one, and how
One saved my life—ay, keeps it steady now.

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The Shadow

1.

A vision haunts me, love, when thou art near,
Chilling my heart as frost nips April flowers;
A covering cloud, when all is fair and clear,
That takes the sweetness from our happiest hours.

2.

It steals the colour from our brightest sky;
It mars my soul's content when all seems well;
It quenches laughter in a shuddering sigh —
In thoughts that thrill me like a tolling bell.

3.

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The Hand In The Dark

How calm the spangled city spread below!
How cool the night! How fair the starry skies!
How sweet the dewy breezes! But I know
What, under all their seeming beauty, lies.

That million-fibred heart, alive, is wrung
With every grief that human creatures fear.
Could its dumb anguish find a fitting tongue
The very dead within their graves would hear.

It calls me from my rest, that voiceless wail
Of Lazarus at the gate — my kith and kin
Whose cruise and cake, and staff and beacon, fail —
The famished crowd, that cannot enter in.

How can I take my ease amid this pain,
These pangs, these tears, these crimes, that never cease?
While homeless children cry for bread in vain
How can I eat? How can I sleep in peace?

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A Story at Dusk

An evening all aglow with summer light
And autumn colour—fairest of the year.

The wheat-fields, crowned with shocks of tawny gold,
All interspersed with rough sowthistle roots,
And interlaced with white convolvulus,
Lay, flecked with purple shadows, in the sun.
The shouts of little children, gleaning there
The scattered ears and wild blue-bottle flowers—
Mixed with the corn-crake's crying, and the song
Of lone wood birds whose mother-cares were o'er,
And with the whispering rustle of red leaves—
Scarce stirred the stillness. And the gossamer sheen
Was spread on upland meadows, silver bright
In low red sunshine and soft kissing wind—
Showing where angels in the night had trailed
Their garments on the turf. Tall arrow-heads,
With flag and rush and fringing grasses, dropped
Their seeds and blossoms in the sleepy pool.
The water-lily lay on her green leaf,

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The Legend of Lady Gertrude

I.
Fallen the lofty halls, where vassal crowds
Drank in the dawn of Gertrude's natal day.
The dungeon roof an Alpine snow-wreath shrouds,
The strong, wild eagle's eyrie in the clouds—
The robber-baron's nest—is swept away.

II.
Bare is the mountain brow of lordly towers;
Only the sunbeams stay, the moon and stars,
The faithful saxifrage and gentian flowers,
The silvery mist, and soft, white, crystal showers,
And torrents rushing through their rocky bars.

III.
More than three hundred years ago, the flag
Charged with that dread device, an Alpine bear—
By many storm-winds rent—a grim, grey rag—
Floated above the castle on the crag,
Above the last whose heads were shelter'd there.

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A Dream of Venice

NUMB, half asleep, and dazed with whirl of wheels,
And gasp of steam, and measured clank of chains,
I heard a blithe voice break a sudden pause,
Ringing familiarly through the lamp-lit night,
“Wife, here's your Venice!”
I was lifted down,
And gazed about in stupid wonderment,
Holding my little Katie by the hand—
My yellow-haired step-daughter. And again
Two strong arms led me to the water-brink,
And laid me on soft cushions in a boat,—
A queer boat, by a queerer boatman manned—
Swarthy-faced, ragged, with a scarlet cap—
Whose wild, weird note smote shrilly through the dark.
Oh yes, it was my Venice! Beautiful,
With melancholy, ghostly beauty—old,
And sorrowful, and weary—yet so fair,
So like a queen still, with her royal robes,
Full of harmonious colour, rent and worn!
I only saw her shadow in the stream,

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The Old Manor House

AN old house, crumbling half away, all barnacled and lichen-grown,
Of saddest, mellowest, softest grey,—with a grand history of its own—
Grand with the work and strife and tears of more than half a thousand years.

Such delicate, tender, russet tones of colour on its gables slept,
With streaks of gold betwixt the stones, where wind-sown flowers and mosses crept:
Wild grasses waved in sun and shade o'er terrace slab and balustrade.

Around the clustered chimneys clung the ivy's wreathed and braided threads,
And dappled lights and shadows flung across the sombre browns and reds;
Where'er the graver's hand had been, it spread its tendrils bright and green.

Far-stretching branches shadowed deep the blazoned windows and broad eaves,
And rocked the faithful rooks asleep, and strewed the terraces with leaves.
A broken dial marked the hours amid damp lawns and garden bowers.

An old house, silent, sad, forlorn, yet proud and stately to the last;
Of all its power and splendour shorn, but rich with memories of the past;
And pitying, from its own decay, the gilded piles of yesterday.

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