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James Shirley

Death the Leveller

The glories of our blood and state
Are shadows, not substantial things;
There is no armour against Fate;
Death lays his icy hand on kings:
Sceptre and Crown
Must tumble down,
And in the dust be equal made
With the poor crookèd scythe and spade.

Some men with swords may reap the field,
And plant fresh laurels where they kill:
But their strong nerves at last must yield;
They tame but one another still:
Early or late
They stoop to fate,
And must give up their murmuring breath
When they, pale captives, creep to death.

The garlands wither on your brow,
Then boast no more your mighty deeds!

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From Ajax Dirge

The glories of our blood and state
Are shadows, not substantial things;
There is no armor against fate;
Death lays his icy hand on kings.
Scepter and crown
Must tumble down
And in the dust be equal made
With the poor crooked scythe and spade.

Some men with swords may reap the field
And plant fresh laurels where they kill,
But their strong nerves at last must yield;
They tame but one another still.
Early or late
They stoop to fate
And must give up their murmuring breath,
When they, pale captives, creep to death.

The garlands wither on your brow,
Then boast no more your mighty deeds;

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The Glories of our Blood and State

The glories of our blood and state
Are shadows, not substantial things;
There is no armour against fate;
Death lays his icy hand on kings.
Sceptre and crown
Must tumble down,
And in the dust be equal made
With the poor crooked scythe and spade.

Some men with swords may reap the field,
And plant fresh laurels where they kill;
But their strong nerves at last must yield,
They tame but one another still.
Early or late,
They stoop to fate,
And must give up their murmuring breath,
When they, pale captives, creep to death.

The garlands wither on your brow,
Then boast no more your mighty deeds;

[...] Read more

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The Fair Felon

In Love's name you are charged hereby
To make a speedy hue and cry,
After a face, who t'other day,
Came and stole my heart away;
For your directions in brief
These are best marks to know the thief:
Her hair a net of beams would prove,
Strong enough to capture Jove,
Playing the eagle; her clear brow
Is a comely field of snow.
A sparkling eye, so pure a gray
As when it shines it needs no day.
Ivory dwelleth on her nose;
Lilies, married to the rose,
Have made her cheek the nuptial bed;
Her lips betray their virgin red,
As they only blushed for this,
That they one another kiss.
But observe, beside the rest,
You shall know this felon best

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Two Gentlemen That Broke Their Promise

There is no faith in claret, and it shall
Henceforth with me be held apocryphal.
I'll trust a small-beer promise, nay, a troth
Washed in the Thames, before a French wine oath.
That grape, they say, is binding; yes, 'tis so,
And it has made your souls thus costive too.
Circe transformed the Greeks; no hard design,
For some can do as much with claret wine
Upon themselves; witness you two, allowed
Once honest, now turned air, and à la mode.
Begin no health in this, or if by chance
The King's 'twill question your allegiance;
And men will, after all your ruffling, say
You drink as some do fight, in the French way:
Engage and trouble many, when 'tis known
You spread their interest to wave your own.
Away with this false Christian: it shall be
An excommunicate from mirth, and me;
Give me the Catholic diviner flame,
To light me to the fair Odelia's name;

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The Garden

This Garden does not take my eyes,
Though here you show how art of men
Can purchase Nature at a price
Would stock old Paradise again.

These glories while you dote upon,
I envy not your spring nor pride,
Nay, boast the summer all your own,
My thoughts with less are satisified.

Give me a little plot of ground,
Where might I with the Sun agree,
Though every day he walk the round,
My Garden he should seldom see.

Those Tulips that such wealth display,
To court my eye, shall lose their name,
Though now they listen, as if they
Expected I should praise their name.

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To the Painter Preparing to Draw M.M.H.

Be not too forward, painter; 'tis
More for thy fame, and art, to miss
All other faces, than come near
The Lady, that expecteth here.
Be wise, and think it less disgrace
To draw an angel, than her face;
For in such forms, who is so wise
To tell thee where thy error lies?
But since all beauty (that is known)
Is in her virgin sweetness one,
How can it be, that painting her
But every look should make thee err?
But thou art resolute I see;
Yet let my fancy walk with thee:
Compose a ground more dark and sad,
Than that the early Chaos had,
And show, to the whole sex's shame,
Beauty was darkness till she came.
Then paint her eyes, whose active light
Shall make the former shadows bright,

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