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Jean Toomer

Her Lips Are Copper Wire

whisper of yellow globes
gleaming on lamp-posts that sway
like bootleg licker drinkers in the fog

and let your breath be moist against me
like bright beads on yellow globes

telephone the power-house
that the main wires are insulate

(her words play softly up and down
dewy corridors of billboards)

then with your tongue remove the tape
and press your lips to mine
till they are incandescent

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Tell Me

Tell me, dear beauty of the dusk,
When purple ribbons bind the hill,
Do dreams your secret wish fulfill,
Do prayers, like kernels from the husk
Come from your lips? Tell me if when
The mountains loom at night, giant shades
Of softer shadow, swift like blades
Of grass seeds come to flower. Then
Tell me if the night winds bend
Them towards me, if the Shenandoah
As it ripples past your shore,
Catches the soul of what you send.

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People

To those fixed on white,
White is white,
To those fixed on black,
It is the same,
And red is red,
Yellow, yellow-
Surely there are such sights
In the many colored world,
Or in the mind.
The strange thing is that
These people never see themselves
Or you, or me.

Are they not in their minds?
Are we not in the world?
This is a curious blindness
For those that are color blind.
What queer beliefs
That men who believe in sights
Disbelieve in seers.

[...] Read more

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For M.W.

There is no transcience of twilight in
The beauty of your soft dusk-dimpled face,
No flicker of a slender flame in space,
In crucibles, fragility crystalline.
There is no fragrance of the jessamine
About you, no pathos of some old place
At dusk, that crumbles like moth-eater lace
Beneath the touch. Nor has there ever been.

Your love is like the folk-song's flaming rise
In cane-lipped southern people, like their soul
Which burst its bondage in a bold travail;
Your voice is like them singing, soft and wise,
Your face, sweetly efflgent of the whole,
Inviolate of ways that would feile.

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Cotton Song

Come, brother, come. Lets lift it;
come now, hewit! roll away!
Shackles fall upon the Judgment Day
But lets not wait for it.
God's body's got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!
Cotton bales are the fleecy way,
Weary sinner's bare feet trod,
Softly, softly to the throne of God,
"We aint agwine t wait until th Judgment Day!
Nassur; nassur,
Hump.
Eoho, eoho, roll away!
We aint agwine to wait until th Judgment Day!"
God's body's got a soul,
Bodies like to roll the soul,
Cant blame God if we dont roll,
Come, brother, roll, roll!

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November Cotton Flower

Boll-weevil's coming, and the winter's cold,
Made cotton-stalks look rusty, seasons old,
And cotton, scarce as any southern snow,
Was vanishing; the branch, so pinched and slow,
Failed in its function as the autumn rake;
Drouth fighting soil had caused the soil to take
All water from the streams; dead birds were found
In wells a hundred feet below the ground--
Such was the season when the flower bloomed.
Old folks were startled, and it soon assumed
Significance. Superstition saw
Something it had never seen before:
Brown eyes that loved without a trace of fear,
Beauty so sudden for that time of year.

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Song of the Son

Pour O pour that parting soul in song
O pour it in the sawdust glow of night
Into the velvet pine-smoke air tonight,
And let the valley carry it along.
And let the valley carry it along.
O land and soil, red soil and sweet-gum tree,
So scant of grass, so proligate of pines,
Now hust before an epoch's sun declines
Thy son, in time, I have returned to thee,
Thy son, I have in time returned to thee.
In time, for though the sun is setting on
A song-lit race of slaves, it has not set;
Though late, O soil, it is not too late yet
To catch thy plaintive soul, leaving, soon gone,
Leaving, to catch thy plaintive soul soon gone.
O Negro slaves, dark purple ripened plums,
Squeezed, and bursting in the pine-wood air,
Passing, before they stripped the old tree bare
One plum was saved for me, one seed becomes
an everlasting song, a singing tree,

[...] Read more

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Banking Coal

Whoever it was who brought the first wood and coal
To start the Fire, did his part well;
Not all wood takes to fire from a match,
Nor coal from wood before it’s burned to charcoal.
The wood and coal in question caught a flame
And flared up beautifully, touching the air
That takes a flame from anything.

Somehow the fire was furnaced,
And then the time was ripe for some to say,
“Right banking of the furnace saves the coal.”
I’ve seen them set to work, each in his way,
Though all with shovels and with ashes,
Never resting till the fire seemed most dead;
Whereupon they’d crawl in hooded night-caps
Contentedly to bed. Sometimes the fire left alone
Would die, but like as not spiced tongues
Remaining by the hardest on till day would flicker up,
Never strong, to anyone who cared to rake for them.
But roaring fires never have been made that way.

[...] Read more

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Georgia Dusk

The sky, lazily disdaining to pursue
The setting sun, too indolent to hold
A lengthened tournament for flashing gold,
Passively darkens for night's barbeque,

A feast of moon and men and barking hounds.
An orgy for some genius of the South
With blood-hot eyes and cane-lipped scented mouth,
Surprised in making folk-songs from soul sounds.

The sawmill blows its whistle, buzz-saws stop,
And silence breaks the bud of knoll and hill,
Soft settling pollen where plowed lands fulfill
Their early promise of a bumper crop.

Smoke from the pyramidal sawdust pile
Curls up, blue ghosts of trees, tarrying low
Where only chips and stumps are left to show
The solid proof of former domicile.

[...] Read more

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Seventh Street

Money burns the pocket, pocket hurts,
Bootleggers in silken shirts,
Ballooned, zooming Cadillacs,
Whizzing, whizzing down the street-car tracks.

Seventh Street is a bastrad of Prohibition and the War. A crude-boned, soft-skinned wedge of nigger life breathing its loafer air, jazz songs and love, thrusting unconscious rhythms, black reddish blood into the white and whitewashed wood of Washington. Stale soggy wood of Washington. Wedges rust in soggy wood. . . Split it! In two! Again! Shred it! . . the sun. Wedges are brilliant in the sun; ribbons of wet wood dry and blow away. Black reddish blood. Pouring for crude-boned soft-skinned life, who set you flowing? Blood suckers of the War would spin in a frenzy of dizziness if they drank your blood. Prohibition would put a stop to it. Who set you flowing? White and whitewash disappear in blood. Who set you flowing? Flowing down the smooth asphalt of Seventh Street, in shanties, brick office buildings, theaters, drug stores, restaurants, and cabarets? Eddying on the corners? Swirling like a blood-red smoke up where the buzzards fly in heaven? God would not dare to suck black red blood. A Nigger God! He would duck his head in shame and call for the Judgement Day. Who set you flowing?

Money burns the pocket, pocket hurts,
Bootleggers in silken shirts,
Ballooned, zooming Cadillacs,
Whizzing, whizzing down the street-car tracks.

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