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Lady Mary Wortley Montagu

Epistle from Arthur Grey, the Footman, to Mrs. Murray, after His Condemnation for Attempting to Commit Violence.

Read, lovely nymph, and tremble not to read,
I have no more to wish, nor you to dread;
I ask not life, for life to me were vain,
And death a refuge from severer pain.
My only hope in these last lines I try --
I would be pitied, and I then would die.
Long had I liv'd as sordid as my fate,
Nor curs'd the destiny that made me wait
A servile slave: content with homely food,
The gross instinct of happiness pursued:
Youth gave me sleep at night and warmth of blood.
Ambition yet had never touch'd my breast;
My lordly master knew no sounder rest;
With labour healthy, in obedience blest.
But when I saw -- oh! had I never seen
That wounding softness, that engaging mien!
The mist of wretched education flies,
Shame, fear, desire, despair, and love arise,
The new creation of those beauteous eyes.
But yet that love pursu'd no guilty aim;

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Verses Addressed to the Imitator of the First Satire of the Second Book Of Horace

In two large columns on thy motley page
Where Roman wit is strip'd with English rage;
Where ribaldry to satire makes pretence,
And modern scandal rolls with ancient sense:
Whilst on one side we see how Horace thought,
And on the other how he never wrote;
Who can believe, who view the bad, the good,
That the dull copyist better understood
That spirit he pretends to imitate,
Than heretofore that Greek he did translate?
Thine is just such an image of his pen,
As thou thyself art of the sons of men,
Where our own species in burlesque we trace,
A sign-post likeness of the human race,
That is at once resemblance and disgrace.
Horace can laugh, is delicate, is clear,
You only coarsely rail, or darkly sneer;
His style is elegant, his diction pure,
Whilst none thy crabbed numbers can endure;
Hard as thy heart, and as thy birth obscure.

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Constantinople

Written January 1718 in the Chiosk at Pera, overlooking Constantinople


Give me Great God (said I) a Little Farm
in Summer shady, & in Winter warm
where a cool spring gives birth to a clear brook
by Nature slideing down a mossy Rock
Not artfully in Leaden Pipes convey'd
Or greatly falling in a forc'd Cascade
Pure & unsully'd winding throu' ye Shade.
All bounteous Heaven has added to my Praier
a softer Climate and a purer Air.

Our Frozen Isle now chilling Winter binds
Deform'd by Rains, & rough wth blasting Winds
ye wither'd Woods grown white wth hoary Frost
by driving storms their scatter'd beautys lost
The Trembling birds their leaveless coverts shun
And seek in distant Climes a warmer Sun
The Water Nymphs their silenced Urns deplore

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Thursday, the Bassette-Table

CARDELIA.

The bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room?
Rise, pensive nymph! the tallier stays for you.


SMILINDA.

Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --


CARDELIA.

Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.

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The Court of Dulness

Her palace plac'd beneath a muddy road,
And such the influence of the dull abode,
The carrier's horse above can scarcely drag his load.
Here chose the goddess her belov'd retreat,
Which Phoebus tries in vain to penetrate;
Adorn'd within with shells of small expense,
(Emblems of tinsel rhyme and trifling sense),
Perpetual fogs enclose the sacred cave,
The neighbouring sinks their fragrant odours gave;
In contemplation here she pass'd her hours,
Closely attended by subservient powers:
Bold Profanation with a brazen brow, --
Much to this great ally does Dulness owe:
But still more near the goddess you attend,
Naked Obscenity! her darling friend.
To thee for shelter all the dull still fly,
Pert double meanings e'en at school we try.
What numerous writers owe their praise to thee,
No sex -- no age -- is from thy influence free;
By thee how bright appears the senseless song,

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Town Eclogues: Thursday; the Bassette-Table

SMILINDA and CARDELIA.CARDELIA.
THE bassette-table spread, the tallier come,
Why stays SMILINDA in the dressing-room ?
Rise, pensive nymph ! the tallier stays for you.

SMILINDA.
Ah ! Madam, since my SHARPER is untrue,
I joyless make my once ador'd alpieu.
I saw him stand behind OMBRELIA's Chair,
And whisper with that soft deluding air,
And those feign'd sighs that cheat the list'ng fair --

CARDELIA.
Is this the cause of your romantic strains ?
A mightier grief my heavy heart sustains.
As you by love, so I by fortune cross'd,
In one bad deal three Septleva's I lost.

SMILINDA.

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