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Karl Shapiro

Manhole Covers

The beauty of manhole covers--what of that?
Like medals struck by a great savage khan,
Like Mayan calendar stones, unliftable, indecipherable,
Not like the old electrum, chased and scored,
Mottoed and sculptured to a turn,
But notched and whelked and pocked and smashed
With the great company names
(Gentle Bethlehem, smiling United States).
This rustproof artifact of my street,
Long after roads are melted away will lie
Sidewise in the grave of the iron-old world,
Bitten at the edges,
Strong with its cryptic American,
Its dated beauty.

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The Olive Tree

Save for a lusterless honing-stone of moon
The sky stretches its flawless canopy
Blue as the blue silk of the Jewish flag
Over the valley and out to sea.
It is bluest just above the olive tree.
You cannot find in twisted Italy
So straight a one; it stands not on a crag,
Is not humpbacked with bearing in scored stone,
But perfectly erect in my front yard,
Oblivious of its fame. The fruit is hard,
Multitudinous, acid, tight on the stem;
The leaves ride boat-like in the brimming sun,
Going nowhere and scooping up the light.
It is the silver tree, the holy tree,
Tree of all attributes.

Now on the lawn
The olives fall by thousands, and I delight
To shed my tennis shoes and walk on them,
Pressing them coldly into the deep grass,

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The Piano Tuner’s Wife

That note comes clear, like water running clear,
Then the next higher note, and up and up
And more and more, with now and then a chord,
The highest notes like tapping a tile with a hammer,
Now and again an arpeggio, a theme
As if the keyboard spoke to the one key,
Saying, No interval is exactly true,
And the note whines slightly and then truly sings.

She sits on the sofa reading a book she has brought,
A ray of sunlight on her white hair.
She is here because he is blind. She drives.
It is almost a platitude to say
That she leads him from piano to piano.
And this continues for about an hour,
Building bridges from both sides of the void,
Coasting the chasms of the harmonies.

And in conclusion,
When there is no more audible dissent,

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Going to School

What shall I teach in the vivid afternoon
With the sun warming the blackboard and a slip
Of cloud catching my eye?
Only the cones and sections of the moon.
Out of some flaking page of scholarship,
Only some foolish heresy
To counteract the authority of prose.
The ink runs freely and the dry chalk flows
Into the silent night of seven slates
Where I create the universe as if
It grew out of some old rabbinic glyph
Or hung upon the necessity of Yeats.

O dry imaginations, drink this dust
That grays the room and powders my coat sleeve,
For in this shaft of light
I dance upon the intellectual crust
Of our own age and hold this make-believe
Like holy-work before your sight.
This is the list of books that time has burned,

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Sunday: New Guinea

The bugle sounds the measured call to prayers,
The band starts bravely with a clarion hymn,
From every side, singly, in groups, in pairs,
Each to his kind of service comes to worship Him.

Our faces washed, our hearts in the right place,
We kneel or stand or listen from our tents;
Half-naked natives with their kind of grace
Move down the road with balanced staffs like mendicants.

And over the hill the guns bang like a door
And planes repeat their mission in the heights.
The jungle outmaneuvers creeping war
And crawls within the circle of our sacred rites.

I long for our disheveled Sundays home,
Breakfast, the comics, news of latest crimes,
Talk without reference, and palindromes,
Sleep and the Philharmonic and the ponderous Times.

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Love for a Hand

Two hands lie still, the hairy and the white,
And soon down ladders of reflected light
The sleepers climb in silence. Gradually
They separate on paths of long ago,
Each winding on his arm the unpleasant clew
That leads, live as a nerve, to memory.

But often when too steep her dream descends,
Perhaps to the grotto where her father bends
To pick her up, the husband wakes as though
He had forgotten something in the house.
Motionless he eyes the room that glows
With the little animals of light that prowl

This way and that. Soft are the beasts of light
But softer still her hand that drifts so white
Upon the whiteness. How like a water-plant
It floats upon the black canal of sleep,
Suspended upward from the distant deep
In pure achievement of its lovely want!

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A Garden In Chicago

In the mid-city, under an oiled sky,
I lay in a garden of such dusky green
It seemed the dregs of the imagination.
Hedged round by elegant spears of iron fence
My face became a moon to absent suns.
A low heat beat upon my reading face;
There rose no roses in that gritty place
But blue-gray lilacs hung their tassels out.
Hard zinnias and ugly marigolds
And one sweet statue of a child stood by.

A gutter of poetry flowed outside the yard,
Making me think I was a bird of prose;
For overhead, bagged in a golden cloud,
There hung the fatted souls of animals,
Wile at my eyes bright dots of butterflies
Turned off and on like distant neon signs.

Assuming that this garden still exists,
One ancient lady patrols the zinnias

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The Alphabet

The letters of the Jews as strict as flames
Or little terrible flowers lean
Stubbornly upwards through the perfect ages,
Singing through solid stone the sacred names.
The letters of the Jews are black and clean
And lie in chain-line over Christian pages.
The chosen letters bristle like barbed wire
That hedge the flesh of man,
Twisting and tightening the book that warns.
These words, this burning bush, this flickering pyre
Unsacrifices the bled son of man
Yet plaits his crown of thorns.


Where go the tipsy idols of the Roman
Past synagogues of patient time,
Where go the sisters of the Gothic rose,
Where go the blue eyes of the Polish women
Past the almost natural crime,
Past the still speaking embers of ghettos,

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The Conscientious Objector

The gates clanged and they walked you into jail
More tense than felons but relieved to find
The hostile world shut out, the flags that dripped
From every mother’s windowpane, obscene
The bloodlust sweating from the public heart,
The dog authority slavering at your throat.
A sense of quiet, of pulling down the blind
Possessed you. Punishment you felt was clean.


The decks, the catwalks, and the narrow light
Composed a ship. This was a mutinous crew
Troubling the captains for plain decencies,
A Mayflower brim with pilgrims headed out
To establish new theocracies to west,
A Noah’s ark coasting the topmost seas
Ten miles above the sodomites and fish.
These inmates loved the only living doves.

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Buick

As a sloop with a sweep of immaculate wing on her delicate spine
And a keel as steel as a root that holds in the sea as she leans,
Leaning and laughing, my warm-hearted beauty, you ride, you ride,
You tack on the curves with parabola speed and a kiss of goodbye,
Like a thoroughbred sloop, my new high-spirited spirit, my kiss.


As my foot suggests that you leap in the air with your hips of a girl,
My finger that praises your wheel and announces your voices of song,
Flouncing your skirts, you blueness of joy, you flirt of politeness,
You leap, you intelligence, essence of wheelness with silvery nose,
And your platinum clocks of excitement stir like the hairs of a fern.


But how alien you are from the booming belts of your birth and the smoke
Where you turned on the stinging lathes of Detroit and Lansing at night
And shrieked at the torch in your secret parts and the amorous tests,
But now with your eyes that enter the future of roads you forget;
You are all instinct with your phosphorous glow and your streaking hair.

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